Made in Taiwan : studies in popular music
Author(s)
Bibliographic Information
Made in Taiwan : studies in popular music
(Routledge global popular music series / edited by Franco Fabbri and Goffredo Plastino)
Routledge, 2020
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 249-260) and index
Description and Table of Contents
Description
Made in Taiwan: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Taiwanese popular music. Each essay, written by a leading scholar of Taiwanese music, covers the major figures, styles, and social contexts of pop music in Taiwan and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Taiwan, followed by essays organized into thematic sections: Trajectories, Identities, Issues, and Interactions.
Table of Contents
List of Illustrations
Notes on Contributors
Preface
Acknowledgments
Introduction: Problematizing and Contextualizing Taiwanese Popular Music
Eva Tsai, Tung- hung Ho, and Miaoju Jian
Part I: Trajectories
1 Profi ling a Postwar Trajectory of Taiwanese Popular Music: Nativism in Metamorphosis and Its Alternatives
Tung- hung Ho
2 Producing Mandopop in 1960s Taiwan: When a Prolific Composer Met a Pioneering Entrepreneur
Szu- Wei Chen
3 The Development of the Indigenous "Mountain Music Industry" and "Mountain Songs" (1960- 1970s): Production and Competition
Kuo- chao Huang
Part II: Identities
4 Entangled Identities: Th e Music and Social Signifi cance of Hsu Shih, a Vanguard Composer of Taiyu Ballads
C.S. Stone Shih
5 The Cultural Hybridization of Taiyu Pop Songs: The Case of Taiyu Covers of Japanese Tunes
Yu- yuan Huang
6 Rock and Roll from Rest and Recreation (R&R): The Collective Memory of the Aging Pop- Rock Lovers in Taiwan
Meng Tze Chu
7 Chrysanthemum Fields Forever: The Labor Exchange Band, Taiwanese Folk Rock, and the LP Form
Andrew F. Jones
Part III: Issues
8 How Taiwanese Students Learn: High School Extracurricular Clubs and the Making of Young Rock Musicians
Chi- chung Wang
9 Tacky and World- Class: Hsieh Jin- yen, Taiwan EDM, and the Reinvigoration of Tai
Eva Tsai
10 Muscular Vernaculars: Braggadocio, "Academic Rappers," and Alternative Hip- Hop Masculinity in Taiwan
Hao- li Lin
Part IV: Interactions
11 Indie Music as Cool Ambassadors? Export- Oriented Cultural Policy in Taiwan, 2010- 2017
Yu- peng Lin and Hui- ju Tsai
12 Multidimensionality of Chineseness in Taiwan's Mandopop: Jay Chou's China Wind Pop and the Transnational Audience
Chen- yu Lin
13 "The Eternal Sweetheart for the Nation": A Political Epitaph for Teresa Teng's Music Journey in Taiwan
Chen-ching Cheng
CODA 211
14 How Taiwanese Indie Music Embraces the World: Global Mandopop, East Asian DIY Networks, and the Translocal Entrepreneurial Promoters
Miaoju Jian
AFTERWORD
15 Orbiting and Down- to- Earth: A Conversation with Lim Giong about His Music, Art, and Mind
Miaoju Jian, Tung- hung Ho, and Eva Tsai
A Selected Bibliography on Popular Music in Taiwan
Index
by "Nielsen BookData"