書誌事項

Gillian Carnegie

Barry Schwabsky

(Contemporary painters / series editor: Barry Schwabsky)

Lund Humphries, 2020

この図書・雑誌をさがす
注記

Includes bibliographical references (p. 135-137) and index

内容説明・目次

内容説明

The singular paintings of British artist Gillian Carnegie (b.1971) have been exhibited and discussed extensively for nearly two decades but this is the first substantial publication on her work. Carnegie's work is explicitly analytical, systematic yet oblique in its reexamination of traditional painting genres such as still life, landscape, portraits, and the nude - all of them 'genres without a subject', as they have sometimes been called. Yet she makes clear that her impulse to resuscitate these categories is not simply an exercise in formalism, historicism, academic reverence, postmodern pastiche, or nostalgia. And far from being without a subject, far from having no story to tell, Carnegie's paintings insistently suggest that there is a subject, that there is a story, but that the painting exists not to communicate it but to conceal it, to hold it incommunicado. In contemporary painting Gillian Carnegie's work stands apart, quietly, calmly and insistently uncanny, with an emotional tenor unlike anything else in art today.

目次

  • I A Weird Time to be a Painter
  • II What Images Tell Us
  • III Between Observation and Experience
  • IV An Absolute Object
  • V A Needless Bit of Sensationalism
  • VI Filling the Space with Miniature Abstractions
  • Notes
  • Acknowledgements
  • Biography
  • Solo Exhibitions
  • Group Exhibitions
  • Other Projects
  • Public Collections
  • Bibliography
  • Index

「Nielsen BookData」 より

関連文献: 1件中  1-1を表示
詳細情報
  • NII書誌ID(NCID)
    BC06179607
  • ISBN
    • 9781848222694
  • 出版国コード
    uk
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    London
  • ページ数/冊数
    143 p.
  • 大きさ
    29 cm
  • 分類
  • 件名
  • 親書誌ID
ページトップへ