Black refractions : highlights from the Studio Museum in Harlem

著者

書誌事項

Black refractions : highlights from the Studio Museum in Harlem

[curated by Connie H. Choi]

Rizzoli Electa, 2019

  • : Rizzoli Electa hardcover

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注記

Exhibition catalogue

Catalogue of the exhibition held at Museum of the African Diaspora, Jan. 15-Apr. 14, 2019; The Gibbes Museum of Art, May 24-Aug. 18, 2019; Kalamazoo Institute of Arts, Sept. 13-Dec. 8, 2019 and three other locations

"American Federation of Arts, New York, The Studio Museum in Harlem"--Added t.p

"Published on the occasion of the traveling exhibition Black Refractions: Highlights from The Studio Museum in Harlem, organized by the American Federation of Arts and The Studio Museum in Harlem."--Colophon

"First published in the United States of America in 2019 by Rizzoli Electa ... in association with American Federation of Arts"--Colophon

内容説明・目次

内容説明

The artists featured in Black Refractions, including Kerry James Marshall, Faith Ringgold, Nari Ward, Norman Lewis, Wangechi Mutu, and Lorna Simpson, are drawn from the renowned collection of the Studio Museum in Harlem. Through exhibitions, public programs, artist-in-residencies, and bold acquisitions, this pioneering institution has served as a nexus for artists of African descent locally, nationally, and internationally since its founding in 1968. Rather than aim to construct a single history of black art, Black Refractions emphasizes a plurality of narratives and approaches, traced through 125 works in all media from the 1930s to the present. An essay by Connie Choi and entries by Eliza A. Butler, Akili Tommasino, Taylor Aldridge, Larry Ossei Mensah, Daniela Fifi , and other luminaries contextualize the works and provide detailed commentary. A dialogue between Thelma Golden, Connie Choi, and Kellie Jones draws out themes and challenges in collecting and exhibiting modern and contemporary art by artists of African descent. More than a document of a particular institution s trailblazing path, or catalytic role in the development of American appreciation for art of the African diaspora, this volume is a compendium of a vital art tradition.

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