Max Liebermann and international modernism : an artist's career from empire to Third Reich

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書誌事項

Max Liebermann and international modernism : an artist's career from empire to Third Reich

Edited by Marion Deshmukh, Françoise Forster-Hahn, and Barbara Gaehtgens

（Studies in German history, v. 14）

Berghahn Books, 2011

  • : pbk

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注記

Chronology: p. 242-244

Select bibliography: p. 248-249

Includes index

内容説明・目次

内容説明

Although Max Liebermann (1847-1935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism. During a time of increasing German nationalism, his paintings and cultural politics sparked numerous aesthetic and political controversies. His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich. The Nazis' persecution of modern and Jewish artists led to the obliteration of Liebermann from the narratives of modern art, but this volume contributes to the recent wave of scholarly literature that works to recover his role and his oeuvre from an international perspective.

目次

List of Illustrations Acknowledgements Introduction PART I: LIEBERMANN'S INTERNATIONAL CONNECTIONS AND TRAINING Chapter 1. Internationalism for the Nation: Max Liebermann as a Cultural Politician Peter Paret Chapter 2. Weimar Beginnings: Liebermann and Munkacsy Hendrik Ziegler Chapter 3. Liebermann's Holland Holly Richardson PART II: THE FRENCH CONNECTION Chapter 4. German Impressionism? Thomas Gaehtgens Chapter 5. Liebermann and Millet Andrea Meyer Chapter 6. Liebermann and his French Critics: Art and Politics from the 1870s to the 1930s Mathilde Arnoux Chapter 7. Max Liebermann's Art Collection: A Reconstruction from Letters and Documents Annegret Janda Chapter 8. History and Modernity: Liebermann's Late Garden Paintings Barbara Gaehtgens PART III: GERMAN CULTURAL CRITICISM Chapter 9. Criticism, Conflict and Controversy Matthias Eberle Chapter 10. How Modern is Modern? Max Liebermann and the Discourses of Modernism in 1906 Francoise Forster-Hahn Chapter 11. Who's Afraid of Delilah? Liebermann Portraying Women Margreet Nouwen Chapter 12. Kreigszeit and the Discourse of War Imagery Timothy Benson PART IV: INTERNATIONAL POLITICS AND INTERNATIONAL MODERNISM Chapter 13. Max Liebermann's Role in Russia Marina Dmietreva-Einhorn Chapter 14. Paintings and Drawings by Max Liebermann: A British Intervention against European Fascism Susan M. King Chapter 15. The Art of the Deal, Collecting Max Liebermann in America Christopher With Chapter 16. Sonderwege Historical and Art Historical: The Case of Max Liebermann Marion Deshmukh Chronological Timeline Notes on Contributors Bibliography Index

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