Satire and the public emotions
Author(s)
Bibliographic Information
Satire and the public emotions
（Cambridge elements, . Elements in histories of emotions and the senses / edited by Jan Plamper）
Cambridge University Press, 2019
- : pbk
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Note
Includes bibliographical references (p. [63]-73)
Description and Table of Contents
Description
The dream of political satire - to fearlessly speak truth to power - is not matched by its actual effects. This study explores the role of satirical communication in licensing public expression of harsh emotions defined in neuroscience as the CAD (contempt, anger, disgust) triad. The mobilisation of these emotions is a fundamental distinction between satirical and comic laughter. Phiddian pursues this argument particularly through an account of Jonathan Swift and his contemporaries. They played a crucial role in the early eighteenth century to make space in the public sphere for intemperate dissent, an essential condition of free political expression.
Table of Contents
- 1. The functions of satire
- 2. Satire and the contempt, anger, disgust (CAD) triad of emotions
- 3. The passions, satire, and liberty of expression in the craftsman moment
- 4. Gulliver's Travels - 'wit, confederated with truth'
- 5. Epilogue. Satire in the digital age.
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