Amputation in literature and film : artificial limbs, prosthetic relations, and the semiotics of "loss"
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Bibliographic Information
Amputation in literature and film : artificial limbs, prosthetic relations, and the semiotics of "loss"
（Literary disability studies）
Palgrave Macmillan, c2021
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Includes bibliographical references and index
Description and Table of Contents
Description
Amputation in Literature and Film: Artificial Limbs, Prosthetic Relations, and the Semiotics of "Loss" explores the many ways in which literature and film have engaged with the subject of amputation. The scholars featured in this volume draw upon a wide variety of texts, both lesser-known and canonical, across historical periods and language traditions to interrogate the intersections of disability studies with social, political, cultural, and philosophical concerns. Whether focusing on ancient texts by Zhuangzi or Ovid, renaissance drama, folktales collected by the Brothers Grimm, novels or silent film, the chapters in this volume highlight the dialectics of "loss" and "gain" in narratives of amputation to encourage critical dialogue and forge an integrated, embodied understanding of experiences of impairment in which mind and body, metaphor and materiality, theory and politics are considered as interrelated and interacting aspects of disability and ability.
Table of Contents
1. Introduction: Amputation and the Semiotics of "Loss"
Part I: The Politics of Amputation2. "Lame Doings." Amputation, Impotence, and Community in The Shoemaker's Holiday and A Larum for London3. Complicating the Semiotics of Loss. Gender, Power and Amputation Narratives4. Stalin's Samovars: Disabled Veterans in (Post-)Soviet Literature
Part II. Amputations's Intersections.5. "She Had Wept So Long and So Much on the Stumps": Amputation and Embodiment in "The Girl Without Hands".6. Defective Femininity and (Sur)Realist Empowerment: Benito Perez Galdos's and Luis Bunuel's Tristana.7. "Even at This Late Juncture": Amputation, Old Age, and Paul Rayment's Prosthetic Family in J.M. Coetzee's Slow Man.- Part III: Grief and Prosthetic Relations8. The Penalty in Novel and Film: Grieving with the Vengeful Amputee9. "The Blunt Remnant of Something Whole": Living Stumps and Prosthetic Relations in Thomas Bernhard's Die Billigesser and Philip Roth's The Plot Against America10. "But the Damage ... Lasted": Phantom Pain and Mourning in Moritz's Anton Reiser
Part IV: Philosophy, Language, Disability11. Zhuangzi, Amputees, and Virtue (de)12. Speech-Amputation-Writing: Philomela's Notalogy13. (In)complete Amputation: Body Integrity Identity Disorder and Maurice Blanchot
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