Hélio Oiticica : dance in my experience
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書誌事項
Hélio Oiticica : dance in my experience
MASP, 2020
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注記
Exhibition catalog
Catalog of the exhibition held at MASP, Museu de Arte de São Paulo Assis Chateaubriand, Mar. 20-Jun. 10, 2020 and MAM, Museu de Arte Moderna do Rio Janeiro, Jul. 4-Oct. 4, 2020
Includes bibliographical references (p. 318-321
収録内容
- Hélio Oiticica at MASP And MAM Rio / Adriano Pedrosa, Fabio Szwarcwald
- From the Metaesquemas to the Parangolés : a trajectory of inventions / Adriano Pedrosa, Tomás Toledo
- Hélio in a trance / Christina Ricupero
- Immanent rhythm, readymade dance : appropriation in Hélio Oiticica Parangolés / Adrian Anagnost
- Spinning and swinging, or the ultraperformance by Hélio Oiticica / Tania Rivera
- The freedom in dependence : Ninhos, Estac̦ão Primeira de Mangueira, and the space of the maternal / Sergio Delgado Moya
- HO and the knowledge of art / Fernando Cocchiarale
- The non-time of lived experience : the problem of color in Hélio Oiticica early works / Andre Lepecki
- War Heroes : toward a poethics of blackness in Hélio Oiticica / Vivian A. Crockett
- Looking for Hélio : queer history, queer phenomenology / Evan Moffitt
内容説明・目次
内容説明
How Hélio Oiticica led Brazilian art's transition from abstract art to performable sculpture
One of the most radical and joyful artists of the 20th century, Hélio Oiticica (1937-80) helped lead the charge in Brazilian art’s unique transition from abstract concrete art to performative objects and collective performance.
As MoMA’s 2019 exhibition Sur Moderno demonstrated, one of Oiticica’s most revolutionary projects was the Parangolé, wearable sculptures made from fabric, plastic or paper. The Parangolé is meant to be worn, inhabited and danced by a participant, lending a physical spontaneity to the piece that entirely blurs the boundaries between the art object and those who experience it.
Dance in My Experience traces the genealogy of this theme within the artist’s oeuvre, identifying rhythmic, choreographic and dance elements throughout his trajectory, from his first Metaesquemas through the Spatial Reliefs, Nuclei and Bólides, culminating in the Parangolés. It includes texts by Oiticica and contributions by numerous scholars.
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