Song dynasty figures of longing and desire : gender and interiority in Chinese painting and poetry
著者
書誌事項
Song dynasty figures of longing and desire : gender and interiority in Chinese painting and poetry
(Women and gender in China studies / edited by Grace S. Fong, v. 10)
Brill, c2018
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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注記
Includes bibliographical references (p. [273]-295) and index
内容説明・目次
内容説明
This book is the winner of the 2020 Joseph Levenson Pre-1900 Book Prize, awarded by the Association for Asian Studies.
In Song Dynasty Figures of Longing and Desire, Lara Blanchard analyzes images of women in painting and poetry of China's middle imperial period, focusing on works that represent female figures as preoccupied with romance. She discusses examples of visual and literary culture in regard to their authorship and audience, examining the role of interiority in constructions of gender, exploring the rhetorical functions of romantic images, and considering connections between subjectivity and representation. The paintings in particular have sometimes been interpreted as simple representations of the daily lives of women, or as straightforward artifacts of heteroerotic desire; Blanchard proposes that such works could additionally be interpreted as political allegories, representations of the artist's or patron's interiorities, or models of idealized femininity.
目次
Contents
Acknowledgments
List of Figures
Abbreviations
Introduction
1 Gendered Subjectivity and Representing Interiority
Subjectivity and Authorship
Pictorial Representations of Inner Feelings
Courtly and Literati Audiences: Evidence from Commentaries
2 Political Interpretations of Desire
Handscrolls of Goddess of the Luo River
The Beijing Handscroll Night Revels of Han Xizai
3 Male Audience and Authorship: Projecting Desire and Longing onto the Female Figure
Huizong's Court Ladies Preparing Newly Woven Silk
Mou Yi's Pounding Cloth
4 The Female Audience: Modeling Idealized Femininity
Women and Fan Paintings
Ladies Adorning Their Hair with Flowers: A Bed-Screen?
Conclusion: Interiority and the Value of Connection
Works Cited
Index
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