Song dynasty figures of longing and desire : gender and interiority in Chinese painting and poetry

著者

    • Blanchard, Lara C. W.

書誌事項

Song dynasty figures of longing and desire : gender and interiority in Chinese painting and poetry

Lara C.W. Blanchard

(Women and gender in China studies / edited by Grace S. Fong, v. 10)

Brill, c2018

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注記

Includes bibliographical references (p. [273]-295) and index

内容説明・目次

内容説明

This book is the winner of the 2020 Joseph Levenson Pre-1900 Book Prize, awarded by the Association for Asian Studies. In Song Dynasty Figures of Longing and Desire, Lara Blanchard analyzes images of women in painting and poetry of China's middle imperial period, focusing on works that represent female figures as preoccupied with romance. She discusses examples of visual and literary culture in regard to their authorship and audience, examining the role of interiority in constructions of gender, exploring the rhetorical functions of romantic images, and considering connections between subjectivity and representation. The paintings in particular have sometimes been interpreted as simple representations of the daily lives of women, or as straightforward artifacts of heteroerotic desire; Blanchard proposes that such works could additionally be interpreted as political allegories, representations of the artist's or patron's interiorities, or models of idealized femininity.

目次

Contents Acknowledgments List of Figures Abbreviations Introduction 1 Gendered Subjectivity and Representing Interiority Subjectivity and Authorship Pictorial Representations of Inner Feelings Courtly and Literati Audiences: Evidence from Commentaries 2 Political Interpretations of Desire Handscrolls of Goddess of the Luo River The Beijing Handscroll Night Revels of Han Xizai 3 Male Audience and Authorship: Projecting Desire and Longing onto the Female Figure Huizong's Court Ladies Preparing Newly Woven Silk Mou Yi's Pounding Cloth 4 The Female Audience: Modeling Idealized Femininity Women and Fan Paintings Ladies Adorning Their Hair with Flowers: A Bed-Screen? Conclusion: Interiority and the Value of Connection Works Cited Index

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