Edward Hopper and the American hotel

著者

書誌事項

Edward Hopper and the American hotel

Leo G. Mazow ; with Sarah G. Powers

VMFA Virginia Museum of Fine Arts , Distributed by Yale University Press, 2019

タイトル別名

1941 road trip

1952-53 road trip

大学図書館所蔵 件 / 2

この図書・雑誌をさがす

注記

Other title from 2 booklets in pockets inside back cover

Catalogue of the exhibition held at Virginia Museum of Fine Arts, October 26, 2019-February 23, 2020, Museum of Art at Newfields, June 4 September 13, 2020

"This catalogue accompanies the exhibition Edward Hopper and the American Hotel. Presented at the Virginia Museum of Fine Arts, October 26, 2019-February 23, 2020; Indianapolis Museum of Art at Newfields, June 4 September 13, 2020."--T.p. verso

Includes bibliographical references (p. 194-195) and index

内容説明・目次

内容説明

Using recreated itineraries, travel along with Edward Hopper on his various road trips and encounter hotels, staff, and guests as seen through the artist's eyes The painter, draftsman, and illustrator Edward Hopper (1882-1967) is one of America's best-known and most frequently exhibited artists. Hotels, motels, and tourist homes are recurring motifs in his work, along with streets, lighthouses, and gas stations forming a visual vocabulary of transportation infrastructure. In ten essays, this fascinating volume explores Hopper's lifelong investigation of such spaces, shedding light on both his professional practice and far-reaching changes in transportation and communications, which affected not only work and leisure but also dynamics of race, class, and gender. Hopper's covers for the trade journal Hotel Management, in addition to other well-known works, invite reflection on the complicated roles of the nascent New Woman; the erasure of hotel work and workers; contemporary associations of the color white with cleanliness and purity; the watercolors Hopper made from hotel windows and rooftops in Mexico; and the broader context of transportation history. A final chapter then situates Hopper's contribution to the fascinating role that the hotel has played in the broader development of American art in the 20th century. As a unique feature, the book's backflap also holds two "TripTik"-like, removable maps that trace the journeys that Hopper and his wife, the artist Josephine "Jo" Nivison Hopper, took by car in the 1940s and 1950s; selected correspondence and quotations from Jo's own diaries join reproductions of postcards and ephemera illuminating their-and fellow Americans'-shifting travel habits. Distributed for the Virginia Museum of Fine Arts Exhibition Schedule: Virginia Museum of Fine Arts, Richmond (October 26, 2019-February 23, 2020) Indianapolis Museum of Art at Newfields (June 4, 2020-September 13, 2020)

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