Pierre Bonnard : the late still lifes and interiors
Author(s)
Bibliographic Information
Pierre Bonnard : the late still lifes and interiors
Metropolitan Museum of Art , Yale University Press, c2009
- : hc : Yale University Press
- Other Title
-
Pierre Bonnard : the late interiors
Related Bibliography 1 items
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Exhibition catalogue
Catalogue of the exhibition held at The Metropolitan Museum of Art, New York, January 27-April 19, 2009
Description based on 2nd printing, 2009
"Pierre Bonnard : the late interiors"--T.p. verso
Includes bibliographical reference (p. 175-188) and index
Description and Table of Contents
Description
Working in his villa in the south of France, Pierre Bonnard (1867--1947) suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand--usually everyday domestic scenes--Bonnard rarely painted from life. Instead, he made pencil sketches in diaries and relied on these, along with his memory, as he executed the works in his studio. These interiors thus often conflate details from the artist's daily life with fleeting, mysterious evocations of his past. The spectral figures who appear at the margins of the canvases, overshadowed by brilliantly colored baskets of fruit or other props, create an atmosphere of profound ambiguity and puzzling abstraction: the mundane rendered in a wholly new pictorial language. The 75 paintings, drawings, and watercolors in this volume, some rarely seen treasures from private collections, all made between 1923 and 1947, are central to the ongoing reappraisal of Bonnard as a leading figure of French modernism.
by "Nielsen BookData"