Common understandings, poetic confusion : playhouses and playgoers in Elizabethan England
著者
書誌事項
Common understandings, poetic confusion : playhouses and playgoers in Elizabethan England
University of Chicago Press, 2021
- : pbk.
- タイトル別名
-
Playhouses and playgoers in Elizabethan England
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p.[251]-308) and index
収録内容
- Introduction
- Playing
- Occupatio
- Understanders
- Confusion
- Supposes
- Eating
- Non plus
- Trying conclusions
内容説明・目次
内容説明
A new account of playgoing in Elizabethan England, in which audiences participated as much as performers.
What if going to a play in Elizabethan England was more like attending a football match than a Broadway show-or playing in one? In Common Understandings, Poetic Confusion, William N. West proposes a new account of the kind of participatory entertainment expected by the actors and the audience during the careers of Shakespeare and his contemporaries. West finds surprising descriptions of these theatrical experiences in the figurative language of early modern players and playgoers-including understanding, confusion, occupation, eating, and fighting. Such words and ways of speaking are still in use today, but their earlier meanings, like that of theater itself, are subtly, importantly different from our own. Playing was not confined to the actors on the stage but filled the playhouse, embracing audiences and performers in collaborative experiences that did not belong to any one alone but to the assembled, various crowd. What emerged in playing was a kind of thinking and feeling distributed across persons and times that were otherwise distinct. Thrown apples, smashed bottles of beer, and lumbering bears-these and more gave verbal shape to the physical interactions between players and playgoers, creating circuits of exchange, production, and consumption.
目次
A Note on Textual and Other Performances
Introduction
There Is Not Agreement of Opinion
All the World's a Stage
Every Like Is Not the Same
1: Playing
Merely Players
What Learn You By That?
But Mark This Show
2: Occupatio
An Excellent Good Word Before It Was Ill Sorted
Looking Well to Borders
So Curious in New Fangles
3: Understanders
Deep in Understanding
Plain and Easy to Be Understanden
All Readers to Be Understanders
Feelingly Perceive
4: Confusion
Nothing but Confusion and Errors
Babylonical Confusion
What More Fitter Occasion?
Diverse Men of Diverse Minds
Commons Knowledge
Interlude. Playing, Thinking
5: Supposes
Valedictions to Sense
Brokers of Another's Wit
A Stalking-Stamping Player
Authors of All the Content
6: Eating
Between Meals
Some Hungry Scenes
Playing with Food
7: Non Plus
I'll Have a Challenge, Too
Fencers, Bearwards, Common Players
Non Plus
Trying Conclusions
Acknowledgments
Notes
Index
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