Rethinking fashion globalization
著者
書誌事項
Rethinking fashion globalization
Bloomsbury Visual Arts, 2021
- : pbk
並立書誌 全1件
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Rethinking Fashion Globalization is a timely call to rewrite the fashion system and push back against Eurocentric dominance within fashion histories by presenting new models, approaches and understandings of fashion from critical thinkers at the forefront of decolonial fashion discourse.
This edited collection draws together original, diverse, and richly reflective critiques of the fashion system from both established and emerging fashion scholars, researchers and creative practitioners. Chapters straddle current calls for decolonization and inclusion, as well as reflections on de-westernization, post-colonialism, sustainability, transnationalism, national identities, social activism, global fashion narratives, diversity, and more.
The volume is divided into three key themes, 'Disruptions in Time and Space', 'Nationalism and Transnationalism' and 'Global Design Practices'. These themes re-map fashion’s origins, practices and futures, to present alternatives for reclaiming and rethinking fashion globalization in the 21st century.
目次
Foreword - Angela Jansen (Chair of the Research Collective for Decolonizing Fashion)
1. Introduction: Decolonial Critiques of Fashion Globalization and De-Globalization (co-authored by the editors)
Section I: Disruptions in Time and Space
Introduction – Sarah Cheang (Royal College of Art, UK)
2. Kimono Migrating Across Borders: A Preliminary Study into the Discovery of Waso Culture Outside of Japan - Yoko Takagi (Bunka Gakuen University, Japan) & Saskia Thoelen (Bunka Gakuen University, Japan)
3. East Asian Global Connections and Fashion Histories - Sarah Cheang (Royal College of Art, UK) and Elizabeth Kramer (University of Northumbria, UK)
4. Surinamese Kotomisi: Multiple Identities of Fashion - Daan van Dartel (National Museum of World Cultures, the Netherlands)
5. Coats and Trousers: Redrawing the Map to Rescript the Narrative - Abby Lillethun (Montclair State University, USA) and Linda Welters (University of Rhode Island, USA)
Section II: Nationalism and Transnationalism
Introduction – Erica de Greef (independent fashion curator, Cape Town, South Africa)
6. #OWNYOURCULTURE – Decolonising Fashion Through Traditional Jewelry - Chepkemboi J Mang’ira (OwnYourCulture, Nairobi)
7. Kawaii Fashion Discourse in the 21st Century: Transnationalising Actors - Kyoko Koma (Meiji University, Japan)
8. Melancholia at the Margins: Place and History in the Fashion of Aotearoa New Zealand - Harriette Richards (Western Sydney University, Australia)
9. Negotiating Identities: The Fashion of Nyonyas in Early Twentieth Century Singapore – Courtney R. Fu (National University of Singapore)
Section III: Global Design Practices
Introduction – Yoko Takagi (Bunka Gakuen University, Japan)
10. Creative Collaborations between Consumers and Fashion Designers: The Role of Fashion Posters in Urban and Rural Ghana. Malika Kraamer (University of Leicester, UK) & Osuanyi Quaicoo Essel (University of Education Winneba, Ghana
11. State of Fashion: Searching for the New Luxury. Imagination, Sustainability, Embodied Practice, Craft Revival, New Narratives - Jose Teunissen (University of the Arts London, UK)
12. Making the Ordinary Fashionable: New Sartorial Languages from Russia and China - Hazel Clark (Parsons School of Design, USA) and Alla Eizenberg (Parsons School of Design, USA)
13. Body Mapping: Cross Cultural Influences in the Studio - Jenny Hughes (University of the Creative Arts Rochester, UK)
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