Adapting Margaret Atwood : the Handmaid's Tale and beyond

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Adapting Margaret Atwood : the Handmaid's Tale and beyond

Shannon Wells-Lassagne, Fiona McMahon, editors

(Palgrave studies in adaptation and visual culture)

Palgrave Macmillan, c2021

  • : [pbk.]

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Includes bibliographical references and index

Description and Table of Contents

Description

This book engages with Margaret Atwood's work and its adaptations. Atwood has long been appreciated for her ardent defence of Canadian authors and her genre-bending fiction, essays, and poetry. However, a lesser-studied aspect of her work is Atwood's role both as adaptor and as source for adaptation in media as varied as opera, television, film, or comic books. Recent critically acclaimed television adaptations of the novels The Handmaid's Tale (Hulu) and Alias Grace (Amazon) have rightfully focused attention on these works, but Atwood's fiction has long been a source of inspiration for artists of various media, a seeming corollary to Atwood's own tendency to explore the possibilities of previously undervalued media (graphic novels), genres (science-fiction), and narratives (testimonial and historical modes). This collection hopes to expand on other studies of Atwood's work or on their adaptations to focus on the interplay between the two, providing an interdisciplinary approach that highlights the protean nature of the author and of adaptation.

Table of Contents

Part I Atwood Adapts "Atwood's Hag-Seed and The Heart Goes Last, a Generic Romp" "Negotiating with the Dead": Authorial Ghosts and Other Spectralities in Atwood's Adaptations Transforming the Human and the Novel: The Utopian Potential of Resilience in Margaret Atwood'sM addAddam Trilogy Atwood's Protean Poetics: Adaptation in the Service of Survival Feminist Adaptations/Adaptations of Feminism: Margaret Atwood's The PenelopiadPart II Atwood Adapted The Unreliable Female (Narrator) in Mary Harron's Miniseries Alias Grace The Figure of the Objectified Servant, from the Silent Biblical Maid to the Twenty-First-Century Web TV RebelShallow Focus Composition and the Poetics of Blur in The Handmaid's Tale (Hulu, 2017-) Feminism, Facts, and Fear: The Protean Reception of The Handmaid's Tale (Atwood 1985, Miller 2017-) You Are Here: The Handmaid's Tale as Graphic Novel Offred at the Opera: Dimensions of Adaptation in Poul Ruders and Paul Bentley'sT he Handmaid's Tale Part III Atwood in the World: Atwood Adaptation Practitioners Staging The PenelopiadFilming Alias Grace Filming The Handmaid's Tale "Adapting (to) Atwood"

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