Change and identity in the music cultures of Lombok, Indonesia
著者
書誌事項
Change and identity in the music cultures of Lombok, Indonesia
(Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde, v. 314)
Brill, c2021
- : hardback
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [315]-330) and index
内容説明・目次
内容説明
This longitudinal study weaves the complex stories of many disparate musics into an account of quests for identities that illuminates Lombok's history, its complex religious and ethnic composition, and its current political circumstances. It focuses on agents, musicians and leaders on the ground, and the socioreligious and artistic changes that transformed many music forms. The book outlines the years of political difficulty for music and years of transition and government interventions to remake musics, and identifies the emerging ideologies and developments that laid the groundwork for a diversity of musics - traditional, Islamic, popular - to simultaneously exist in an unprecedented way.
目次
Acknowledgements
List of Figures and Tables
Notes on Orthography, Terms, and Names
Introduction
Setting the Scene
1 Histories and Religions
2 Musics of Lombok
3 People and Places
4 Fieldwork Histories
5 Organizing Music and Identity
1 Change, Religion, and Identity in Music Cultures
1 Religion, Religious Identities, and Interreligious Relationships
2 Constructing and Dismantling Pluralism and Tolerance
3 Modernity and Change
4 Politicizing Identities and Musics
5 Changing Islams and a Sasak Movement
6 Music and Identity
7 Sonic Identities and Situating 'Tradition'
8 Exploring Change on Lombok
2 'Traditional' Musics
Functions, Contestations, Interpretations
1 Gamelan-type Ensembles
2 Gamelan Gong Sasak/Gong Kebyar
3 Vocal Music
4 Sacred Forms
5 Other Dance and Theatre
6 Summary
3 The Phenomenon of Gendang Beleq
1 From Ritual to Stage
2 Transitions
3 Analysis of Chapter
4 Wayang Sasak
Shadowplay, Practices, Elements, and Narratives
1 Symbolism, Characters, and Identity
2 Accompaniment
3 Government Interventions
4 Situating Puppeteers and Processes
5 The Situation Today and Tomorrow
5 Music, Islam, and Islamization
1 Islam on Lombok
2 Issues of Music and Islam
3 Musik Islam
4 Zikrsamman
5 Marawis
6 Tongkek
7 Realizations of Burdah, Hadrah, and Rebana Burdah
8 Synthesis
6 Popular Musics and 'Musik Rakyat'
1 Weddings
2 Musik Rakyat: Gambus, Cilokaq, Kecimol Asli, and Amaq Sadar
3 Musik Rakyat on the Street: Gula Gending and Selober
4 Popular Musics: Cultural and Gender Identities, and Erni Ayuningsih
5 Global Styles and Novi Bhavan
6 Synthesis: Intersections and Divergences of Folk and Popular Musics
7 Minority Musics of Lombok
1 Overview of Other Musics of Minority Populations
2 Sasak Buddhists, Rituals, and Musics
3 Lombok Balinese Music Culture
4 Summary of Chapter
8 Nexus of Sasak/Balinese Interaction
The Lingsar Festival
1 Reflective Takes on the Site, the Festival, and the Participants
2 Agamaization
3 Bridges to the Ancestors
4 Politicizing Lingsar: Contestation, Narratives, and the State
5 Tolerance of Ambiguity
6 A Long View
9 Performing Arts Education and Issues of Sustainability
1 Between Apathy and Sustainability
2 Indonesian Nation-building
3 Mochammad Yamin and lpsn
4 The Bidang Kesenian
5 Arts Education in the 21st Century
6 Contextualizing Benefits of Music Sustainability
7 Concluding Thoughts
10 Conclusion
Making Sense of All of This
1 Musics as Representation
2 Histories of Change
3 Ambivalence, Sociopolitical Identities, and the Arts
4 Final Thoughts on Musics and Identities
Bibliography
Index
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