Ethnographic returns : memory processes and archive film
Author(s)
Bibliographic Information
Ethnographic returns : memory processes and archive film
(Cambridge elements, . Elements in critical heritage studies / edited by Kristian Kristiansen ... [et al.])
Cambridge University Press, 2021
- : pbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [65]-72
Description and Table of Contents
Description
In the past decades cultural heritage stored at museums and archives has been returned to source communities in various forms and under diverse circumstances. This contribution to the Elements series explores and discusses specifically the return of digital 'ethnographic' images to indigenous and non indigenous people that share a common recent history of coexistence and dispute over the same territory that is to be understood in the light of the consolidation of a Nation State with a settler colonial logic. The author argues that the affective reception of what a given archive labels as tangible and intangible heritage varies according to each audiences particular memory practices, historical experience and way of relating to shared hegemonic notions of 'whiteness' and 'indigeneity'.
Table of Contents
- 1. Introduction: 'Revisiting Ethnographic Sites, Decentering Authorized Interpretations?'
- 2. 'Indians' and 'Gauchos' Captured by the Lens of Swedish Explorers in the Argentine Chaco
- 3. Readings of the Past and the Affective Reception of an Archive Film
- 4. Final Reflections: Reframing Ethnographic Heritage.
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