Fredric Jameson and film theory : Marxism, allegory, and geopolitics in world cinema

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書誌事項

Fredric Jameson and film theory : Marxism, allegory, and geopolitics in world cinema

edited by Keith B. Wagner, Jeremi Szaniawski, and Michael Cramer ; afterward by Fredric Jameson

Rutgers University Press, c2022

  • : pbk

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

Frederic Jameson and Film Theory is the first collection of its kind, it assesses and critically responds to Fredric Jameson's remarkable contribution to film theory. The essays assembled explore key Jamesonian concepts-such as totality, national allegory, geopolitics, globalization, representation, and pastiche-and his historical schema of realism, modernism, and postmodernism, considering, in both cases, how these can be applied, revised, expanded and challenged within film studies. Featuring essays by leading and emerging voices in the field, the volume probes the contours and complexities of neoliberal capitalism across the globe and explores world cinema's situation within these forces by deploying and adapting Jamesonian concepts, and placing them in dialogue with other theoretical paradigms. The result is an innovative and rigorously analytical effort that offers a range of Marxist-inspired approaches towards cinemas from Asia, Latin America, Europe, and North America in the spirit of Jameson's famous rallying cry: 'always historicize!'.

目次

Introduction: Always Historicize the Moving Image! Fredric Jameson's Place in Film Studies MICHAEL CRAMER, JEREMI SZANIAWSKI, AND KEITH B. WAGNER 1 Feeling Film as the Pulse of the Postmodern Condition: On Jameson's "On Diva" DUDLEY ANDREW 2 Allegory and Accommodation: Vertov's Three Songs of Lenin (1934) as a Stalinist Film JOHN MACKAY 3 Nostalgia, Melancholy, and the Persistence of Stalin in Polish Cinema JEREMI SZANIAWSKI 4 Jameson, Angelopoulos, and the Spirit of Utopia PAUL COATES 5 Jameson and Japanese Media Theory: A Virtual Dialogue NAOKI YAMAMOTO 6 Where Jameson Meets Queer Theory: Queer Cognitive Mapping in 1990s Sinophone Cinema ALVIN K. WONG 7 A Jamesonian Reading of Parasite (2019): Homes, Real Estate Speculation, and Bubble Markets in Seoul KEITH B. WAGNER 8 Strategies of Containment in Middle-Class Films from Mexico and Brazil MERCEDES VAZQUEZ 9 The Neoliberal Conspiracy: Jameson, New Hollywood, and All the President's Men MICHAEL CRAMER 10 The Conspiracy Film, Hollywood's Cultural Paradigms, and Class Consciousness MIKE WAYNE 11 A Theory of the Medium Shot: Affective Mapping and the Logic of the Encounter in Fredric Jameson's The Geopolitical Aesthetic PANSY DUNCAN 12 "An American Utopia" and the Politics of Military Science Fiction DAN HASSLER-FOREST Afterword FREDRIC JAMESON Acknowledgments Notes on Contributors Index

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