Fredric Jameson and film theory : Marxism, allegory, and geopolitics in world cinema
著者
書誌事項
Fredric Jameson and film theory : Marxism, allegory, and geopolitics in world cinema
Rutgers University Press, c2022
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
Frederic Jameson and Film Theory is the first collection of its kind, it assesses and critically responds to Fredric Jameson's remarkable contribution to film theory. The essays assembled explore key Jamesonian concepts-such as totality, national allegory, geopolitics, globalization, representation, and pastiche-and his historical schema of realism, modernism, and postmodernism, considering, in both cases, how these can be applied, revised, expanded and challenged within film studies. Featuring essays by leading and emerging voices in the field, the volume probes the contours and complexities of neoliberal capitalism across the globe and explores world cinema's situation within these forces by deploying and adapting Jamesonian concepts, and placing them in dialogue with other theoretical paradigms. The result is an innovative and rigorously analytical effort that offers a range of Marxist-inspired approaches towards cinemas from Asia, Latin America, Europe, and North America in the spirit of Jameson's famous rallying cry: 'always historicize!'.
目次
Introduction: Always Historicize the Moving Image! Fredric Jameson's Place in Film Studies
MICHAEL CRAMER, JEREMI SZANIAWSKI, AND KEITH B. WAGNER
1 Feeling Film as the Pulse of the Postmodern Condition: On Jameson's "On Diva"
DUDLEY ANDREW
2 Allegory and Accommodation: Vertov's Three Songs of Lenin (1934) as a Stalinist Film
JOHN MACKAY
3 Nostalgia, Melancholy, and the Persistence of Stalin in Polish Cinema
JEREMI SZANIAWSKI
4 Jameson, Angelopoulos, and the Spirit of Utopia
PAUL COATES
5 Jameson and Japanese Media Theory: A Virtual Dialogue
NAOKI YAMAMOTO
6 Where Jameson Meets Queer Theory: Queer Cognitive Mapping in 1990s Sinophone Cinema
ALVIN K. WONG
7 A Jamesonian Reading of Parasite (2019): Homes, Real Estate Speculation, and Bubble Markets in Seoul
KEITH B. WAGNER
8 Strategies of Containment in Middle-Class Films from Mexico and Brazil
MERCEDES VAZQUEZ
9 The Neoliberal Conspiracy: Jameson, New Hollywood, and All the President's Men
MICHAEL CRAMER
10 The Conspiracy Film, Hollywood's Cultural Paradigms, and Class Consciousness
MIKE WAYNE
11 A Theory of the Medium Shot: Affective Mapping and the Logic of the Encounter in Fredric Jameson's The Geopolitical Aesthetic
PANSY DUNCAN
12 "An American Utopia" and the Politics of Military Science Fiction
DAN HASSLER-FOREST
Afterword
FREDRIC JAMESON
Acknowledgments
Notes on Contributors
Index
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