Love, fight, feast : the multifaceted world of Japanese narrative art

Bibliographic Information

Love, fight, feast : the multifaceted world of Japanese narrative art

[editor, Khanh Trinh] ; [co-authors, Estelle Bauer ... [et al.]] ; [specialist editor, Amy Reigle Newland]

Museum Rietberg : Scheidegger & Spiess, c2021

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Note

"This book is published in conjunction with the exhibition Love, Fight, Feast--The Multifaceted World of Japanese Narrative Art, held at Museum Rietberg Zurich, September 10-December 5, 2021."--P. 365

Statement of responsibility from colophon

Includes bibliographical references (p. 348-356) and index

Description and Table of Contents

Description

The use of pictures to communicate a story has a long tradition in Japanese culture that dates back more than a thousand years. Such narrative illustrations draw on Buddhist texts, classic literature, poetry, and theatrical scenes to create rich visual imagery realised in a wide range of media and format. Quotations from and allusions to heroic epics and romances were disseminated through exquisite paintings, woodblock prints, and in pieces of applied arts such as lacquer ware or ceramics, thus becoming anchored in the collective consciousness. As story-telling art found expression in a variety of materialities, it became an integral part of daily life. A fascinating narrative space evolved that combined artistic excellence and aesthetic pleasure. Love, Fight, Feast features some one hundred paintings, woodblock prints, illustrated woodblock-printed books, as well as lacquer and metal objects, porcelain, and textiles from the 13th to the 20th century, alongside scholarly essays on a range of aspects of Japanese narrative art. Published in conjunction with an exhibition at the renowned Museum Rietberg in Zurich, the book offers a unique survey of the multifaceted, colourful, and imaginative world of Japanese narrative art across eight centuries.

Table of Contents

DIRECTOR'S FOREWORD Annette Bhagwati SPONSOR'S STATEMENT Ishibashi Hiroshi, Ishibashi Foundation ACKNOWLEDGMENTS Khanh Trinh, Estelle Bauer, Melanie Trede LENDERS TO THE EXHIBITION NOTES TO THE READER THE MULTIFACETED WORLD OF JAPANESE NARRATIVE ART: AN INTRODUCTION Khanh Trinh UNFOLDING TALES: AESTHETIC STRATEGIES IN JAPANESE HANDSCROLLS Estelle Bauer NARRATING THROUGH TEXT AND IMAGE: CHARACTER AND SEQUENCE IN JAPANESE HANDSCROLLS Sebastian Balmes CREATIVITY, HISTORIOGRAPHY, AND MASS PRODUCTION: THE WEALTH OF PICTORIAL NARRATIVES IN SEVENTEENTH-CENTURY JAPAN Melanie Trede MANGA FLOWS: READING THE PANELED SPREAD AGAINST HANDSCROLL AND WEBTOON Jaqueline Berndt THE TALE OF JAPANESE NARRATIVE ART THE POWER OF FAITH POETS ON THE MOVE: THE ISE STORIES LOVE AND INTRIGUE: THE TALE OF GENJI HEROES VYING FOR POWER AND GLORY: THE TALE OF THE HEIKE VANQUISHING DEMONS: SHUTEN DOJI AND RAJOMON IMAGINING CHINA THE REALM OF PARODY AND ENTERTAINMENT COLLECTING JAPANESE ART IN EUROPE CHECKLIST BIBLIOGRAPHY INDEX CHRONOLOGY

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