Love, fight, feast : the multifaceted world of Japanese narrative art
著者
書誌事項
Love, fight, feast : the multifaceted world of Japanese narrative art
Museum Rietberg : Scheidegger & Spiess, c2021
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"This book is published in conjunction with the exhibition Love, Fight, Feast--The Multifaceted World of Japanese Narrative Art, held at Museum Rietberg Zurich, September 10-December 5, 2021."--P. 365
Statement of responsibility from colophon
Includes bibliographical references (p. 348-356) and index
内容説明・目次
内容説明
The use of pictures to communicate a story has a long tradition in Japanese culture that dates back more than a thousand years. Such narrative illustrations draw on Buddhist texts, classic literature, poetry, and theatrical scenes to create rich visual imagery realised in a wide range of media and format. Quotations from and allusions to heroic epics and romances were disseminated through exquisite paintings, woodblock prints, and in pieces of applied arts such as lacquer ware or ceramics, thus becoming anchored in the collective consciousness. As story-telling art found expression in a variety of materialities, it became an integral part of daily life. A fascinating narrative space evolved that combined artistic excellence and aesthetic pleasure.
Love, Fight, Feast features some one hundred paintings, woodblock prints, illustrated woodblock-printed books, as well as lacquer and metal objects, porcelain, and textiles from the 13th to the 20th century, alongside scholarly essays on a range of aspects of Japanese narrative art. Published in conjunction with an exhibition at the renowned Museum Rietberg in Zurich, the book offers a unique survey of the multifaceted, colourful, and imaginative world of Japanese narrative art across eight centuries.
目次
DIRECTOR'S FOREWORD Annette Bhagwati
SPONSOR'S STATEMENT Ishibashi Hiroshi, Ishibashi Foundation
ACKNOWLEDGMENTS Khanh Trinh, Estelle Bauer, Melanie Trede
LENDERS TO THE EXHIBITION
NOTES TO THE READER
THE MULTIFACETED WORLD OF JAPANESE NARRATIVE ART: AN INTRODUCTION Khanh Trinh
UNFOLDING TALES: AESTHETIC STRATEGIES IN JAPANESE HANDSCROLLS Estelle Bauer
NARRATING THROUGH TEXT AND IMAGE: CHARACTER AND SEQUENCE IN JAPANESE HANDSCROLLS Sebastian Balmes
CREATIVITY, HISTORIOGRAPHY, AND MASS PRODUCTION: THE WEALTH OF PICTORIAL NARRATIVES IN SEVENTEENTH-CENTURY JAPAN Melanie Trede
MANGA FLOWS: READING THE PANELED SPREAD AGAINST HANDSCROLL AND WEBTOON Jaqueline Berndt
THE TALE OF JAPANESE NARRATIVE ART
THE POWER OF FAITH
POETS ON THE MOVE: THE ISE STORIES
LOVE AND INTRIGUE: THE TALE OF GENJI
HEROES VYING FOR POWER AND GLORY:
THE TALE OF THE HEIKE
VANQUISHING DEMONS: SHUTEN DOJI AND
RAJOMON
IMAGINING CHINA
THE REALM OF PARODY AND
ENTERTAINMENT
COLLECTING JAPANESE ART IN EUROPE
CHECKLIST
BIBLIOGRAPHY
INDEX
CHRONOLOGY
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