The lives and afterlives of medieval iconography
Author(s)
Bibliographic Information
The lives and afterlives of medieval iconography
(Signa : papers of the index of medieval art at Princeton University)
The Pennsylvania State University Press, c2021
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Essays drawn from the conference "Plus ça change...? The Lives and Afterlives of Medieval Iconography," organized in 2016
Includes bibliographical references and index
Contents of Works
- Plus ça change...? : the lives and afterlives of medieval iconography / Pamela A. Patton and Henry D. Schilb
- Found iconography / Dale Kinney
- The archaeology of Carolingian memory at Saint-Sernin of Toulouse / Catherine A. Fernandez
- Representation, signature, and trace in Islamic art / D. Fairchild Ruggles
- A matter of perception : a hesychastic understanding of the work or art / Charles Barber
- Spectacles and prosthetic visions in fourteenth- and fifteenth-century art / Kirk Ambrose
- Iconography and the loss of representation / Elina Gertsman
- The work of gothic sculpture in the age of photographic reproduction / Jacqueline E. Jung
Description and Table of Contents
Description
What does the study of iconography entail for scholars active today? How does it intersect with the broad array of methodological and theoretical approaches now at the disposal of art historians? Should we still dare to use the term “iconography” to describe such work?
The seven essays collected here argue that we should. Their authors set out to evaluate the continuing relevance of iconographic studies to current art-historical scholarship by exploring the fluidity of iconography itself over broad spans of time, place, and culture. These wide-ranging case studies take a diverse set of approaches as they track the transformation of medieval images and their meanings along their respective paths, exploring how medieval iconographies remained stable or changed; how images were reconceived in response to new contexts, ideas, or viewerships; and how modern thinking about medieval images—including the application or rejection of traditional methodologies—has shaped our understanding of what they signify. These essays demonstrate that iconographic work still holds a critical place within the rapidly evolving discipline of art history as well as within the many other disciplines that increasingly prioritize the study of images.
This inaugural volume in the series Signa: Papers of the Index of Medieval Art at Princeton University demonstrates the importance of keeping matters of image and meaning—regardless of whether we use the word “iconography”—at the center of modern inquiry into medieval visual culture.
In addition to the editors, the contributors to this volume are Kirk Ambrose, Charles Barber, Catherine Fernandez, Elina Gertsman, Jacqueline E. Jung, Dale Kinney, and D. Fairchild Ruggles.
Table of Contents
1. Introduction: Plus ça change...? The Lives and Afterlives of Medieval Iconography
Pamela A. Patton and Henry D. Schilb, Index of Medieval Art, Princeton University
2. Afterlife and Improvisation at Santa Maria in Trastevere
Dale Kinney, Bryn Mawr College
3. The Archaeology of Carolingian Memory at Saint-Sernin of Toulouse
Catherine Fernandez, Index of Medieval Art, Princeton University
4. Representation, Signature and Trace in Islamic Art
D. Fairchild Ruggles, University of Illinois, Urbana-Champaign
5. A Matter of Perception: An Hesychastic Understanding of the Work of Art
Charles Barber, Princeton University
6. Spectacles and Prosthetic Visions in Fourteenth- and Fifteenth-Century Art
Kirk Ambrose, University of Colorado Boulder
7. Iconography and the Loss of Representation
Elina Gertsman, The Case Western Reserve University
8. The Work of Gothic Sculpture in the Age of Photographic Reproduction
Jacqueline E. Jung, Yale University
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