Parables for the virtual : movement, affect, sensation

Bibliographic Information

Parables for the virtual : movement, affect, sensation

Brian Massumi

(Post-contemporary interventions / series editors, Stanley Fish & Fredric Jameson)

Duke University Press, 2021, c2002

20th anniversary edition / with a new preface by the author

  • : pbk

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Note

Includes bibliographical references (p. [333]-342) and index

Description and Table of Contents

Description

Since its publication twenty years ago, Brian Massumi's pioneering Parables for the Virtual has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the postwar French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. Replacing the traditional opposition of literal and figural with distinctions between stasis and motion and between actual and virtual, Massumi tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multifaceted argument. This twentieth anniversary edition includes a new preface in which Massumi situates the book in relation to developments since its publication and outlines the evolution of its main concepts. It also includes two short texts, "Keywords for Affect" and "Missed Conceptions about Affect," in which Massumi explicates his approach to affect in ways that emphasize the book's political and philosophical stakes.

Table of Contents

Preface to the Twentieth-Anniversary Edition xi Keywords for Affect xxxiii Missed Conceptions xliii Introduction: Concrete Is as Concrete Doesn't 1 1. The Autonomy of Affect 25 2. The Bleed: Where Body Meets Image 49 3. The Political Economy of Belonging and the Logic of Relation 73 4. The Evolutionary Alchemy of Reason: Stelarc 97 5. On the Superiority of the Analog 145 6. Chaos in the "Total Field" of Vision 157 7. The Brightness Confound 177 8. Strange Horizon: Buildings, Biograms, and the Body Topologic 193 9. Too-Blue: Color-Patch for an Expanded Empiricism 227 Notes 279 Works Cited 333 Index 343

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