{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BC09377946.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BC09377946#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BC09377946.json"},"dc:title":[{"@value":"André Bazin on adaptation : cinema's literary imagination"}],"dcterms:alternative":["Écrits complets"],"dc:creator":"André Bazin ; edited and with an introduction by Dudley Andrew ; Deborah Glassman and Nataša Ďurovičová, translators","dc:publisher":[{"@value":"University of California Press"}],"dcterms:extent":"xxv, 407 p","cinii:size":"21 cm","dc:language":"eng","dc:date":"2022","cinii:ncid":"BC09377946","cinii:ownerCount":"1","foaf:maker":[{"@id":"https://ci.nii.ac.jp/author/DA02813917#entity","@type":"foaf:Person","foaf:name":[{"@value":"Bazin, André"}]},{"@id":"https://ci.nii.ac.jp/author/DA04654847#entity","@type":"foaf:Person","foaf:name":[{"@value":"Andrew, James Dudley"}]},{"@type":"foaf:Person","foaf:name":[{"@value":"Glassman, Deborah"}]},{"@type":"foaf:Person","foaf:name":[{"@value":"Ďurovičová, Natasa"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA002622","@type":"foaf:Organization","foaf:name":"京都大学 吉田南総合図書館","rdfs:seeAlso":{"@id":"https://kuline.kulib.kyoto-u.ac.jp/opac/opac_openurl/?ncid=BC09377946"}}],"bibo:lccn":["2021032897"],"rdfs:seeAlso":[{"@id":"https://lccn.loc.gov/2021032897"}],"prism:publicationDate":["c2022"],"cinii:note":["Content Type: text (rdacontent), Media Type: unmediated (rdamedia), Carrier Type: volume (rdacarrier)","\"Excerpted from Écrits complets, André Bazin (author), Hervé Joubert-Laurencin (editor), (c)2018 Éditions Macula.\"--T.p. verso","Summary on USMARC: Adaptation was central to André Bazin's lifelong query: What is cinema? Placing films alongside literature let him identify the aesthetic and sociological distinctiveness of each. More importantly, it helped him wage his campaign for a modern conception of cinema, one that owed a great deal to developments in the novel. His critical genius is on full display in this collection, where readers are introduced to the foundational concepts of the relationship between film and literary adaptation as put forth by one of the greatest film and cultural critics of the 20th century. Expertly curated and with an introduction by celebrated film scholar Dudley Andrew, the book begins with a selection of essays that show Bazin's film theory in action, followed by reviews of films adapted from renowned novelists of the day (Conrad, Hemingway, Steinbeck; Colette, Sagan, Duras; and more) as well as classic novels of the 19th century (Bronte, Melville, Tolstoy; Balzac, Hugo, Zola; Stendhal and more)","Includes bibliographical references and indexes"],"dc:subject":["LCC:PN1998.3.B39","DC23:791.436"],"cinii:contentOfWorks":["Adaptation in theory","Adapting contemporary fiction","Adapting the classics","Addendum : two long essays on adaptation, translated by Hugh Gray"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Bazin%2C+Andr%C3%A9%2C+1918-1958","dc:title":"Bazin, André, 1918-1958"},{"@id":"https://ci.nii.ac.jp/books/search?q=Film+adaptations+--+History+and+criticism","dc:title":"Film adaptations -- History and criticism"},{"@id":"https://ci.nii.ac.jp/books/search?q=Motion+pictures+--+France+--+History+and+criticism","dc:title":"Motion pictures -- France -- History and criticism"}],"dcterms:hasPart":[{"@id":"urn:isbn:9780520375819","dc:title":": paperback"}]}]}