Class acts : Derrida on the public stage
Author(s)
Bibliographic Information
Class acts : Derrida on the public stage
(Perspectives in continental philosophy)
Fordham University Press, 2021
- : [pbk.]
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes index
Description and Table of Contents
Description
Class Acts examines two often neglected aspects of Jacques Derrida's work as a philosopher, his public presentations at lectures and conferences and his teaching, along with the question of the "speech act" that links them. What, Michael Naas asks, is one doing when one speaks in public in these ways?
The book follows Derrida's itinerary with regard to speech act theory across three public lectures, from 1971 to 1997, all given, for reasons the book seeks to explain, in Montreal. In these lectures, Derrida elaborated his critique of J. L. Austin and his own subsequent redefinition of speech act theory. The book then gives an overview of Derrida's teaching career and his famous "seminar" presentations, along with his own explicit reflections on pedagogy and educational institutions beginning in the mid-1970s. Naas then shows through a reading of three recently published seminars-on life death, theory and practice, and forgiveness-just how Derrida the teacher interrogated and deployed speech act theory in his seminars. Whether in a conference hall or a classroom, Naas demonstrates, Derrida was always interested in the way spoken or written words might do more than simply communicate some meaning or intent but might give rise to something like an event. Class Acts bears witness to the possibility of such events in Derrida's work as a pedagogue and a public intellectual.
Table of Contents
Abbreviations of Works Cited | xi
Introduction: The Program | 1
Part I: Derrida in Montreal
(A Play in Three Speech Acts )
Argument and Dramatis Personae | 13
Act 1. The Context (1971) | 15
Intermission 1: Glyph 1 | 41
Act 2. The Signature (1979) | 45
Intermission 2: Glyph 2 | 55
Act 3. The Event (1997) | 59
Encore: Cocoon | 69
Part II: The Open Seminar
The Counter-Program (Syllabus) | 75
Class 1. Agregations: The Chance of Life Death (1975-76) | 93
Class 2. Education in Theory and Practice (1976-77) | 111
Class 3. Grace and the Machine: Perjury and Pardon (1997-98) | 127
Conclusion: Actes de naissance | 149
Acknowledgments | 157
Notes | 159
Index | 183
by "Nielsen BookData"