Hölderlins Fluchtlinie Griechenland
Author(s)
Bibliographic Information
Hölderlins Fluchtlinie Griechenland
Vandenhoeck & Ruprecht, c2020
- :hbk.
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 266-273)
Description and Table of Contents
Description
Holderlin felt his Germany as a Russian doll made of prison-like "containers". He suffered from both personal and political claustrophobia, from which he longed for liberating outbursts to utopian perspectives. The study calls these trends "escape lines" and the most important escape line is aimed at Greece. Hoelderlin's writing turns out to be walking along escape lines in changing tones of a fascinating sound. The Greek escape line is multi-pole and also includes New Greece. The ancient Greek myths are rewritten for the sake of modern analogies: Empedocles-Rousseau versus Strato-Napoleon; Chiron-Hoelderlin against Herakles-Napoleon etc. And last but not least: The ancient Greek myths are simultaneously demythologized in the context of a "higher enlightenment".
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