On literary attachment in South Africa : tough love
著者
書誌事項
On literary attachment in South Africa : tough love
(Routledge research in postcolonial literatures)
Routledge, 2022
- : hbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book reflects on the "literary" in literature. Less ideologically construed, more affirmative of literary attachment, the study adopts a style of intimacy - its "tough love" - in a correlation between the creative work and the critical act. Instead of configuring literary works to "state-of-the-nation" issues - the usual approach to literature from South Africa - the chapters keep alive a space for conversation, whether accented inwards to locality or outwards to the Anglophone world: the world to which literature in South Africa continues to belong, albeit as a "problem child".
A postcolony that is not quite a postcolony, South Africa is richly but frustratingly textured between Africa and the West, or the South and the North. Its literature - hovering on the cusp of its locality and its global reach - raises peculiar questions of reader reception, epistemological and aesthetic frame, and archival use. Are the Nobel laureates Nadine Gordimer and J.M. Coetzee local writers or global writers? Is the novel or the short story the more appropriate form at the edges of metropolitan cultures? Given language, race, and culture contestation, how do we recover Bushman expression for contemporary use? How to consider the aesthetic appeal of two contemporaneous works, one in English the other in isiXhosa, the one indebted to Bloomsbury modernism the other to African custom? How does Douglas Livingstone attach the Third World to the First World in both science and poetry? What has a "born free" novelist, Kopano Matlwa, got to do with the Bard of Avon? In a time of theorisation, is it permissible for Lewis Nkosi to embody literary criticism in an autobiographical journey? How to read the rupturing event - the statue of Rhodes must fall - through a literary sensibility?
Alert to the influence of critique, the study is equally alert to the "limits of critique". Reflecting on several writers, works, and events that do not feature in current publications, On Literary Attachment in South Africa releases literature to speak to us today, within the contours of its originating energy.
目次
Introduction
1. Andre Brink, Mevrou Sadie, and Me
Our Crooked-line Stories
2. Bushman Letters/Bushman Literature
Usable and Unusable Pasts
3. Schreiner's Karoo, Blackburn's Jo'burg
A Literary Journey, Then and Now
4. A School Person in a Red Blanket
The Case of S.E.K. Mqhayi
5. Lewis Nkosi
Ambiguities of Home and Exile
6. The Potential and Limitations of Symptomatic Criticism
Ruth Miller's Poetry
7. Who Wins a Nobel Prize?
Nadine Gordimer and J.M. Coetzee
8. Who Doesn't Win a Nobel Prize?
Gordimer, Coetzee, Bosman, Head
9. The Power of ...
Nelson Mandela: A Literary Consideration
10. The Science of Poetry and the Poetry of Science
Douglas Livingstone's Uncommon Humanity
11. To Be a Coconut
Kopano Matlwa to the Bard of Avon
12. #RhodesMustFall!
On Literary Attachment and the Rupturing Event
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