Cinematic comanches : the lone ranger in the media borderlands
著者
書誌事項
Cinematic comanches : the lone ranger in the media borderlands
（Indigenous films）
University of Nebraska Press, c2022
- : pbk
大学図書館所蔵 件 / 全2件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical refrences (p. 233-242) and index
Filmography: p. 243-248
内容説明・目次
内容説明
For centuries Comanches have captivated imaginations. Yet their story in popular accounts abruptly stops with the so-called fall of the Comanche empire in 1875, when Quanah Parker led Comanches onto the reservation in southwestern Oklahoma. In Cinematic Comanches, the first tribal-specific history of Comanches in film and media, Parker descendant Dustin Tahmahkera examines how Comanches represent themselves and are represented by others in recent media. Telling a story of Comanche family and extended kin and their relations to film, Tahmahkera reframes a distorted and defeated history of Comanches into a vibrant story of cinematic traditions, agency, and cultural continuity.
Co-starring a long list of Comanche actors, filmmakers, consultants, critics, and subjects, Cinematic Comanches moves through the politics of tribal representation and history to highlight the production of Comancheria cinema. From early silent films and 1950s Westerns to Disney's The Lone Ranger and the story of how Comanches captured its controversial Comanche lead Johnny Depp, Tahmahkera argues that Comanche nationhood can be strengthened through cinema. Tahmahkera's extensive research includes interviews with elder LaDonna Harris, who adopted Depp during filming in one of the most contested films in recent Indigenous cinematic history. In the fragmented popular narrative of the rise and fall of Comanches, Cinematic Comanches calls for considering mediated contributions to the cultural resurgence of Comanches today.
目次
List of Illustrations
Preface: Maruawe in Medias Res
Acknowledgments
Introduction: The Comanche Empire Strikes Back
1. Jurisdiction: Reclaiming Comancheria Cinema
2. Kinship: A Captivity Narrative
3. Performance: Seeking Representational Justice
4. Audience: Comanches Viewing Comanches
Afterword: Subeetu
Notes
Bibliography
Filmography
Index
「Nielsen BookData」 より