South and East Asian cinemas across borders : critical trends in transnational cinema
Author(s)
Bibliographic Information
South and East Asian cinemas across borders : critical trends in transnational cinema
Routledge, 2022
- : hbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
This edited volume focuses on South and East Asian cinema, exploring transnational connections between these film industries from the point of view of narratives, topics and themes, as well as in terms of co-productions. At a time of resurgent nationalisms and increasing fortifications of (actual and symbolic) borders, the chapters in this book explore cinematic work that challenge these boundaries and promote a reflection on the social, cultural, political and economic value of international exchanges and collaborations within the context of Asia.
Indeed, notwithstanding the aforementioned tendency to implement border policing and the revival of nationalist sentiments, South and East Asian cinemas retain a strong transnational character, as not only genres and themes are borrowed and exchanged across borders, but also the popularity of the Indian, Chinese and Korean film industries extend well beyond their national borders - within Asia as well as in the West.
The chapters in this book were originally published as a special issue of Transnational Screens.
Table of Contents
1. Critical trends in transnational cinema: Inter-Asian productions and exchanges 2. The emergence of China-India film co-production: policy and practice 3. Subalterns and the city: Dubai as cross-cultural caravanserai in City of Life and Pinky Memsaab 4. Repetition and difference in East Asian gothic cinema: the Bunshinsaba film series 5. Between cultural performance and cultural activism: contemporary documentary film festivals in India 6. Is Everybody Kung Fu Fighting? Indian Popular Cinema and Martial Arts Films
by "Nielsen BookData"