Ekphrastic image-making in early modern Europe, 1500-1700
著者
書誌事項
Ekphrastic image-making in early modern Europe, 1500-1700
(Intersections : yearbook for early modern studies, v. 79)
Brill, c2022
- : hardback
大学図書館所蔵 件 / 全2件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references and index
内容説明・目次
内容説明
In epideictic oratory, ekphrasis is typically identified as an advanced rhetorical exercise that verbally reproduces the experience of viewing a person, place, or thing; more specifically, it often purports to replicate the experience of viewing a work of art. Not only what was seen, but also how it was beheld, and the emotions attendant upon first viewing it, are implicitly construed as recoverable, indeed reproducible.
This volume examines how and why many early modern pictures operate in an ekphrastic mode: such pictures claim to reconstitute works of art that solely survived in the textual form of an ekphrasis; or they invite the beholder to respond to a picture in the way s/he responds to a stirring verbal image; or they call attention to their status as an image, in the way that ekphrasis, as a rhetorical figure, makes one conscious of the process of image-making; or finally, they foreground the artist's or the viewer's agency, in the way that the rhetor or auditor is adduced as agent of the image being verbally produced.
Contributors: Carol Elaine Barbour, Ivana Bicak, Letha Ch'ien, James Clifton, Teresa Clifton, Karl Enenkel, Arthur DiFuria, Christopher Heuer, Barbara Kaminska, Annie Maloney, Annie McEwen, Walter Melion, Lars Cyril Norgaard, Dawn Odell, April Oettinger, Shelley Perlove, Stephanie Porras, Femke Speelberg, Caecilie Weissert, Elliott Wise, and Steffen Zierholz.
目次
Acknowledgements
List of Illustrations
Notes on the Editors
Notes on the Contributors
Introduction: Ekphrastic Image-Making
Arthur J. DiFuria and Walter S. Melion
Part 1: Humanism, Print, Ekphrasis
1 'The Reader Seems to Have Seen Rather Than Read': Ekphrasis as an Instrument of Religious Persuasion in Erasmus of Rotterdam
Barbara A. Kaminska
2 The Artist's Frame of Reference in Antoine Sucquet's Via Vita Aeternae
Carol Barbour
3 'No Less Difficult to Paint ... Than to Describe': Chaos in Michel de Marolles's Tableaux du Temple des Muses
James Clifton
4 The Edge of Ekphrasis: Bellori and Reproductive Printmaking
Annie Maloney
Part 2: Poem, Image, Ekphrasis
5 Mythography as Ekphrasis: Ludovico Lazzarelli's De gentilium deorum imaginibus, and the Poetics of Humanism
Karl Enenkel
6 Antithesis, Ekphrasis, and Antiphrasis in Joachim du Bellay's Ruinscape, Les Antiquites de Rome
Arthur J. DiFuria
7 Through a Poet's Eyes: Jan van der Noot's Poem on the Capital Sins
Caecilie Weissert
With a translation of the poem by Anna Dlabacova
8 Virtual Reality of the Early Modern Anatomical Poem in Denmark and England
Ivana Bicak
Part 3: Sacred Ekphrasis
9 Robert Campin and Jan van Ruusbroec: Spiritual Conflagrations and Ekphrastic Mysticism
Elliott D. Wise
10 Transfiguring Raphael, Reforming Christ: Ekphrastic Image-Making in Nicolas Poussin's The Miracle of St. Francis Xavier
Steffen Zierholz
11 Levels to Ekphrasis in the Tableaux de la Penitence
Lars Cyril Norgaard
Part 4: Ekphrastic Images
12 Art between Fact and Fantasy: Tracing the Afterlife of Ekphrastic Architecture in Renaissance Italy
Femke Speelberg
13 Ekphrasis and Ovidian Poetics in Hendrick Goltzius's Landscape with Venus and Adonis of ca. 1598
Walter S. Melion
14 Rembrandt's Judas Returning the Silver of 1629: Visual and Literary Associations
Amy Golahny
15 'By This Blood Most Chaste [...]' (Livy, The History of Rome, Book 1.59): Passion and Politics in Rembrandt's Lucretia of 1666
Shelley Perlove
16 Finding, Stealing, Translating: The Subject(s) of Tintoretto's Brera Scuola Grande di San Marco Istoria
Letha C. Ch'ien
Part 5: Nature, Art, Ekphrasis
17 Reveries of the Source
Christopher P. Heuer
18 Ekphrasis and the Romance of Botany in the Age of Pietro Andrea Mattioli
April Oettinger
part 6: Global Ekphrasis
19 Seeing 'de flandes'
Stephanie Porras
20 'Escribieron en mi memoria': Ekphrasis in the Pastoral Fiction of New Spain
Teresa Clifton
21 Ekphrasis and the Global Eighteenth Century: A.E. van Braam Houckgeest's Collection of Chinese Art
Dawn Odell
Index Nominum
「Nielsen BookData」 より