Ekphrastic image-making in early modern Europe, 1500-1700

書誌事項

Ekphrastic image-making in early modern Europe, 1500-1700

edited by Arthur J. DiFuria, Walter S. Melion

(Intersections : yearbook for early modern studies, v. 79)

Brill, c2022

  • : hardback

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

In epideictic oratory, ekphrasis is typically identified as an advanced rhetorical exercise that verbally reproduces the experience of viewing a person, place, or thing; more specifically, it often purports to replicate the experience of viewing a work of art. Not only what was seen, but also how it was beheld, and the emotions attendant upon first viewing it, are implicitly construed as recoverable, indeed reproducible. This volume examines how and why many early modern pictures operate in an ekphrastic mode: such pictures claim to reconstitute works of art that solely survived in the textual form of an ekphrasis; or they invite the beholder to respond to a picture in the way s/he responds to a stirring verbal image; or they call attention to their status as an image, in the way that ekphrasis, as a rhetorical figure, makes one conscious of the process of image-making; or finally, they foreground the artist's or the viewer's agency, in the way that the rhetor or auditor is adduced as agent of the image being verbally produced. Contributors: Carol Elaine Barbour, Ivana Bicak, Letha Ch'ien, James Clifton, Teresa Clifton, Karl Enenkel, Arthur DiFuria, Christopher Heuer, Barbara Kaminska, Annie Maloney, Annie McEwen, Walter Melion, Lars Cyril Norgaard, Dawn Odell, April Oettinger, Shelley Perlove, Stephanie Porras, Femke Speelberg, Caecilie Weissert, Elliott Wise, and Steffen Zierholz.

目次

Acknowledgements List of Illustrations Notes on the Editors Notes on the Contributors Introduction: Ekphrastic Image-Making Arthur J. DiFuria and Walter S. Melion Part 1: Humanism, Print, Ekphrasis 1 'The Reader Seems to Have Seen Rather Than Read': Ekphrasis as an Instrument of Religious Persuasion in Erasmus of Rotterdam Barbara A. Kaminska 2 The Artist's Frame of Reference in Antoine Sucquet's Via Vita Aeternae Carol Barbour 3 'No Less Difficult to Paint ... Than to Describe': Chaos in Michel de Marolles's Tableaux du Temple des Muses James Clifton 4 The Edge of Ekphrasis: Bellori and Reproductive Printmaking Annie Maloney Part 2: Poem, Image, Ekphrasis 5 Mythography as Ekphrasis: Ludovico Lazzarelli's De gentilium deorum imaginibus, and the Poetics of Humanism Karl Enenkel 6 Antithesis, Ekphrasis, and Antiphrasis in Joachim du Bellay's Ruinscape, Les Antiquites de Rome Arthur J. DiFuria 7 Through a Poet's Eyes: Jan van der Noot's Poem on the Capital Sins Caecilie Weissert With a translation of the poem by Anna Dlabacova 8 Virtual Reality of the Early Modern Anatomical Poem in Denmark and England Ivana Bicak Part 3: Sacred Ekphrasis 9 Robert Campin and Jan van Ruusbroec: Spiritual Conflagrations and Ekphrastic Mysticism Elliott D. Wise 10 Transfiguring Raphael, Reforming Christ: Ekphrastic Image-Making in Nicolas Poussin's The Miracle of St. Francis Xavier Steffen Zierholz 11 Levels to Ekphrasis in the Tableaux de la Penitence Lars Cyril Norgaard Part 4: Ekphrastic Images 12 Art between Fact and Fantasy: Tracing the Afterlife of Ekphrastic Architecture in Renaissance Italy Femke Speelberg 13 Ekphrasis and Ovidian Poetics in Hendrick Goltzius's Landscape with Venus and Adonis of ca. 1598 Walter S. Melion 14 Rembrandt's Judas Returning the Silver of 1629: Visual and Literary Associations Amy Golahny 15 'By This Blood Most Chaste [...]' (Livy, The History of Rome, Book 1.59): Passion and Politics in Rembrandt's Lucretia of 1666 Shelley Perlove 16 Finding, Stealing, Translating: The Subject(s) of Tintoretto's Brera Scuola Grande di San Marco Istoria Letha C. Ch'ien Part 5: Nature, Art, Ekphrasis 17 Reveries of the Source Christopher P. Heuer 18 Ekphrasis and the Romance of Botany in the Age of Pietro Andrea Mattioli April Oettinger part 6: Global Ekphrasis 19 Seeing 'de flandes' Stephanie Porras 20 'Escribieron en mi memoria': Ekphrasis in the Pastoral Fiction of New Spain Teresa Clifton 21 Ekphrasis and the Global Eighteenth Century: A.E. van Braam Houckgeest's Collection of Chinese Art Dawn Odell Index Nominum

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