Naẓar : vision, belief, and perception in Islamic cultures
著者
書誌事項
Naẓar : vision, belief, and perception in Islamic cultures
(Islamic history and civilization, v. 191)
Brill, c2022
- : hardback
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
Nazar, literally 'vision', is a unique Arabic-Islamic term/concept that offers an analytical framework for exploring the ways in which Islamic visual culture and aesthetic sensibility have been shaped by common conceptual tools and moral parameters. It intertwines the act of 'seeing' with the act of 'reflecting', thereby bringing the visual and cognitive functions into a complex relationship. Within the folds of this multifaceted relationship lies an entangled web of religious ideas, moral values, aesthetic preferences, scientific precepts, and socio-cultural understandings that underlie the intricacy of one's personal belief. Peering through the lens of nazar, the studies presented in this volume unravel aspects of these entanglements to provide new understandings of how vision, belief, and perception shape the rich Islamic visual culture.
Contributors: Samer Akkach, James Bennett, Sushma Griffin, Stephen Hirtenstein, Virginia Hooker, Sakina Nomanbhoy, Shaha Parpia, Ellen Philpott-Teo, Wendy M.K. Shaw.
目次
Preface
Notes to the Reader
List of Figures
Notes on Contributors
Aperture: Terms, Concepts, and Discourse
Samer Akkach
1 Nazar: The Seen, the Unseen, and the Unseeable
Samer Akkach
2 Nazar, Subjectivity, and 'The Gaze'
Wendy M.K. Shaw
part 1: The Eye of the Heart
3 Human Looking, Divine Gaze: Nazar in Islamic Spirituality
Stephen Hirtenstein
4 Seeing with 'The Eyes of the Heart': dhikr and fikr as Sources of Insight in Indonesian Islamic Art
Virginia Hooker
part 2: The Eye of the Mind
5 Transparency: Ibn Al-Haytham's Manazir and Visual Perception of Beauty
Ellen Philpott-Teo
6 Veiling: Ibn Al-Qattan's Ahkam and the Rules Concerning Seeing
Samer Akkach
part 3: Evil Eye, Talismanic Seeing
7 May the Envier's Eye be Blind
Sakina Nomanbhoy
8 Talismanic Seeing: The Induction of Power in Indonesian Zoomorphic Art
James Bennett
part 4: Gazing Eye, Imaginative Seeing
9 The Artist's Gaze: Visual Representations of the Mughal Hunting Landscape
Shaha Parpia
10 Vernacular Subjectivity as a Way of Seeing: Visualising Bijapur in Nujum al-'Ulum and Kitab-i-Nauras
Sushma Griffin
Index
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