Joy of the worm : suicide and pleasure in early modern English literature
著者
書誌事項
Joy of the worm : suicide and pleasure in early modern English literature
(Thinking literature / a series edited by Nan Z. Da and Anahid Nersessian)
University of Chicago Press, 2022
- : paper
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
収録内容
- Introduction: Renaissance self-finishing
- Failed seriousness in the old Arcadia and Gallathea
- Slapstick and synapothanumenon in Antony and Cleopatra
- Trolling decorum in Hamlet and Timon of Athens
- The Open window in Biathanatos
- Inventing suicide in Religio Medici
- A cartoon about suicide prevention in Paradise Lost
- Smiling at daggers in Cato, a Tragedy
- Epilogue
内容説明・目次
内容説明
Consulting an extensive archive of early modern literature, Joy of the Worm asserts that voluntary death in literature is not always a matter of tragedy.
In this study, Drew Daniel identifies a surprisingly common aesthetic attitude that he calls "joy of the worm," after Cleopatra's embrace of the deadly asp in Shakespeare's play-a pattern where voluntary death is imagined as an occasion for humor, mirth, ecstatic pleasure, even joy and celebration.
Daniel draws both a historical and a conceptual distinction between "self-killing" and "suicide." Standard intellectual histories of suicide in the early modern period have understandably emphasized attitudes of abhorrence, scorn, and severity toward voluntary death. Daniel reads an archive of literary scenes and passages, dating from 1534 to 1713, that complicate this picture. In their own distinct responses to the surrounding attitude of censure, writers including Shakespeare, Donne, Milton, and Addison imagine death not as sin or sickness, but instead as a heroic gift, sexual release, elemental return, amorous fusion, or political self-rescue. "Joy of the worm" emerges here as an aesthetic mode that shades into schadenfreude, sadistic cruelty, and deliberate "trolling," but can also underwrite powerful feelings of belonging, devotion, and love.
目次
Introduction: Renaissance Self-Finishing
Chapter 1 Failed Seriousness in the Old Arcadia and Gallathea
Chapter 2 Slapstick and Synapothanumenon in Antony and Cleopatra
Chapter 3 Trolling Decorum in Hamlet and Timon of Athens
Chapter 4 The Open Window in Biathanatos
Interlude Inventing Suicide in Religio Medici
Chapter 5 A Cartoon about Suicide Prevention in Paradise Lost
Chapter 6 Smiling at Daggers in Cato, a Tragedy
Epilogue
Acknowledgments
Notes
Index
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