Post-westerns : cinema, region, West
Author(s)
Bibliographic Information
Post-westerns : cinema, region, West
(Postwestern horizons)
University of Nebraska Press, c2013
- : hbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [359]-406) and index
Description and Table of Contents
Description
During the post-World War II period, the Western, like America's other great film genres, appeared to collapse as a result of revisionism and the emergence of new forms. Perhaps, however, as theorists like Gilles Deleuze suggest, it remains, simply "maintaining its empty frame." Yet this frame is far from empty, as Post-Westerns shows us: rather than collapse, the Western instead found a new form through which to scrutinize and question the very assumptions on which the genre was based. Employing the ideas of critics such as Deleuze, Jacques Derrida, and Jacques Ranciere, Neil Campbell examines the haunted inheritance of the Western in contemporary U.S. culture. His book reveals how close examination of certain postwar films-including Bad Day at Black Rock, The Misfits, Lone Star, Easy Rider, Gas Food Lodging, Down in the Valley, and No Country for Old Men-reconfigures our notions of region and nation, the Western, and indeed the West itself.
Campbell suggests that post-Westerns are in fact "ghost-Westerns," haunted by the earlier form's devices and styles in ways that at once acknowledge and call into question the West, both as such and in its persistent ideological framing of the national identity and values.
Table of Contents
Acknowledgments
Introduction: Big Hats, Horses, and Dust: The Visible and Invisible West
1. Dead Westerns: The Posthumous and the Post-Western
2. Mourning in America: The Lusty Men (1952) and Bad Day at Black Rock (1954)
3. "You and Your God's Country": The Misfits (1961)
4. "We Keep Heading West": Dennis Hopper and the Post-Western
5. Exile and Dislocation in the Urban Post-Western: The Exiles (1961) and Fat City (1972)
6. Post-Western Genealogies: John Sayles's Lone Star (1996) and Silver City (2004)
7. "Opened from the Inside Out": Wim Wenders's Don't Come Knocking (2005)
8. The Idioms of Living: Donna Deitch and Allison Anders
9. The Schizo-West: Down in the Valley (2005)
10. Spook Country: The Pensive West of No Country for Old Men (2007)
Conclusion: Is There a Politics of the Post-Western?
Notes
Index
by "Nielsen BookData"