Washington Irving's critique of American culture : sketching a vision of world citizenship
著者
書誌事項
Washington Irving's critique of American culture : sketching a vision of world citizenship
Lexington Books, c2021
- : cloth
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Summary: "Washington Irving's Critique of American Culture argues that Irving offers not only a critique of a culture losing rootedness, but also positive multi-cultural vision of world citizenship in the new Republic. American Romantic art contemporary to Irving sheds light on his critique and positive vision of what America could be"--Provided by publisher
Bibliography: p. 173-179
Includes index
内容説明・目次
内容説明
Washington Irving's Critique of American Culture challenges long-standing views of Washington Irving. He has been portrayed as writing in the 18th century style of Addison and Goldsmith, without have much substance of his own. Irving has also been accused of being insufficiently American, and adrift in an identity crisis. The author argues that Irving addressed the American cultural context very extensively, a writer of substance who articulated an ethic of world citizenship that was found in the philosophy of ancient Greek Cynics and Stoics. This ethic was united with a love of picturesque travel, which emphasized variety and texture in experience, resulting in an extraordinary affirmation of the value of cultural diversity in the new Republic. Irving was, in fact, a liminal figure straddling Romantic and neoclassical modes of writing and acting. The author draws attention to Irving's success as a writer in the pictorial mode. Irving also expressed a critique of cultural loss and environmental destruction like that articulated by the artist Thomas Cole. The work embraces an interdisciplinary approach, where insights from philosophy, religion, art history, and social history shed light on an underestimated writer.
目次
Chapter 1: Style with Substance
Chapter 2: Satire in the Name of World Citizenship
Chapter 3: The Picturesque Aesthetic and Neo-classical/ Romantic Boundary-Crossing
Chapter 4: American Ovid, American Virgil, American Claude, and Pumpkin Smasher
Chapter 5: Irving's Critique of American Culture in "The Legend of Sleepy Hollow"
Chapter 6: World Citizenship on Frontiers Near and Far
「Nielsen BookData」 より