書誌事項

The Oxford handbook of politics and performance

edited by Shirin M. Rai ... [et al.]

Oxford University Press, c2021

タイトル別名

Handbook of politics and performance

Politics and performance

大学図書館所蔵 件 / 2

この図書・雑誌をさがす

注記

Other editors: Milija Gluhovic, Silvija Jestrovic, Michael Saward

Includes bibliographical references and index

内容説明・目次

内容説明

Political scientists and political theorists have long been interested in social and political performance. Theatre and performance researchers have often focused on the political dimensions of the live arts. Yet the interdisciplinary nature of this labor has typically been assumed rather than rigorously explored. Further, it is crucial to bring the concepts of theatre and performance deployed by other disciplines such as psychology, law, political anthropology, sociology among others into a wider, as well as deeper, interdisciplinary engagement. Embodying and fostering that engagement is at the heart of this new handbook. The Handbook brings together leading scholars in the fields of Politics and Performance to map out the evolving interdisciplinary engagement. The authors--drawn from a wide range of disciplines--investigate the relationship between politics and performance to show that certain features of political transactions shared by performances are fundamental to both disciplines, and that they also share, to a large extent, a common communicational base and language. The volume is organized into seven thematic sections: the interdisciplinary theory of politics and performance; performativity and theatricality (protest, regulation, resistance, change, authority); identities (race, gender, sexuality, class, citizenship, indigeneity); sites (states, borders, markets, law, religion); scripts (accountability, authority and legitimacy, security, ceremony, sustainability); body, voice, and gesture (representation, leadership, participation, rhetoric, disruption); and affect (media, care, love empathy, comedy, populism, memory).

目次

Introduction by Milija Gluhovic, Silvija Jestrovic, Shirin Rai, and Michael Saward Part I: Performativity/Theatricality 1. Lisa Skwirblies - Colonial Theatricality 2. Ameet Parameswaran - Theatricality, Sovereignty, and Resistance: Beyond Theatre of Roots 3. Adrian Kear - Authenticity/Theatricality: World Spectatorship and the Drama of the Image 4. Kate Leader - Law, Presence to Absence: The Case of the Disappearing Defendant 5. Sophie Nield - Towards a Theatrical History of the Picket Line 6. Jorge Cadena-Roa and Cristina Puga - Protest and Performativity 7. Jean-Pascal Daloz - Representation Part II: Identities 8. Katie Beswick - Class, Race, and Marginality: Informal Street Performances in the City 9. Carole Spary - Gender, Politics, Performance: Embodiment and Representation in Political Institutions 10. Edgaras Klivis - National Identity 11. Ioana Szeman - Performance and Citizenship: The Roma in Europe 12. Yana Meerzon - From Exile to Migration - Staging (the) Face of the Human Waste Part III: Sites 13. Emma Cox - Island Impasse: Refugee Detention and the Thickening Border 14. Kimberly Wedeven Segall - Media Sites: Political Revivals of American Muslim Women 15. Nirmal Puwar - The Force of the Somatic Norm: Women as Space Invaders in the UK Parliament 16. Matthew Watson - "The Market": Eighteenth-Century Insights into the Performance of Market Practices 17. Charlotte Heath-Kelly - Staging Memorialisation: Performing the War on Terror and Resilient Nationalism 18. Matt Davies - Urban Sites of the Everyday and the International: The Other City and the Aesthetic Subject 19. Anna Leander - The Politics of Neo-Liberal Rituals: Performing the Institutionalization of Liminality at Trade Fairs 20. Catherine Chinara Charrett - Empire: A Performative Approach to Imperial Frontiers and Formations in Palestine Part IV: Scripts 21. Desiree Lewis - Nativism: African Bodies and Photographic Performance 22. Willmar Sauter - Immersion 23. Stuart Elden - Ceremony, Genealogy, Political Theology 24. Erzsébet Strausz - Pedagogy: (Mis)performing the Contemporary University 25. Julia C. Strauss - Scripts, Authority, and Legitimacy: The View from China and Beyond 26. John Uhr - Political Leadership: "Saving the Show" 27. Vicky Angelaki - Adaptation and Environment: Landscape, Community and Politics in Henrik Ibsen's Rosmersholm by Duncan Macmillan (2019) Part V: Body/Voice/Gesture 28. Sruti Bala - Hurling and Hailing: Scenes of Interruption and Interpellation 29. Alan Finlayson - Performing Political Ideologies 30. M.I. Franklin - Music: Women Rewriting Punk Performance Politics 31. Lisa Fitzpatrick - Eroticism, and the Politics of Representing the Abused Body 32. Bishnupriya Dutt - Performing Gestures at Protests and Other Sites 33. Bree Hadley - What's in a Name?: The Politics of Labelling in Disability Performance 34. Stephen Coleman - Taking a Position: Contemporary Dance and the Communication of Deep Political Feeling 35. Julia Peetz - The Body Politic and JFK's Bad Back: Questions of Embodiment in the Performance of Politics Part VI: Affect 36. Jordana Blejmar - Postmemory: Politics and Performance in Latin America 37. Roland Bleiker and Emma Hutchison - Performing Political Empathy 38. Narelle Warren - Care 39. Nobuko Anan - The Nation as Family: Motherhood and Love in Japan 40. Emma Crewe and Nicholas Sarra - Constituency Performances: The "Heart" of Democratic Politics 41. James Brassett - Comedy and the Performative Politics of Brexit 42. Illan rua Wall - Atmospheres of Protest 43. Goran Petrovic Lotina - Performance and Populism: Choreographing Popular Forms of Collectivity

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