The Routledge companion to media industries
著者
書誌事項
The Routledge companion to media industries
(Routledge companions)
Routledge, 2022
- : hbk
大学図書館所蔵 全8件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Bringing together 49 chapters from leading experts in media industries research, this major collection offers an authoritative overview of the current state of scholarship while setting out proposals for expanding, re-thinking and innovating the field.
Media industries occupy a central place in modern societies, producing, circulating, and presenting the multitude of cultural forms and experiences we encounter in our daily lives. The chapters in this volume begin by outlining key conceptual and critical perspectives while also presenting original interventions to prompt new lines of inquiry. Other chapters then examine the impact of digitalization on the media industries, intersections formed between industries or across geographic territories, and the practices of doing media industries research and teaching. General ideas and arguments are illustrated through specific examples and case studies drawn from a range of media sectors, including advertising, publishing, comics, news, music, film, television, branded entertainment, live cinema experiences, social media, and music video.
Making a vital and significant contribution to media research, this volume is essential reading for students and academics seeking to understand and evaluate the work of the media industries.
Chapter 10 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com
目次
Media, industries, research: problematizing the field PART I Perspectives: conceptual and critical directions 1. Assembling production studies: formative interventions in Britain and Europe 2. Origins of research into media industries conducted in the United States 3. Meeting the challenges of media and marketing convergence: revising critical political economy approaches 4. Why should we care about media policy? Critical directions in media policy research 5. Economic perspectives on the characteristics and operation of media industries 6. The state of media management research 7. Critical and cultural? Production studies as situated storytelling 8. Locating and localizing media industry studies: the case of Greece PART II Interventions: rethinking the field 9. Industrial media studies: considering infrastructures for audience manufacture 10. The infrastructural turn in media and internet research 11. Informality and indeterminacy in media industries research 12. An industry of its own? Approaching the American comic book industry 13. Approaching race in media industries research 14. Methodological approaches to women's work in Hollywood 15. Global configurations: re-spatializing labor in contemporary film and television production 16. Producing for small audiences: smallness and peripherality in the global media industries 17. Currents of change: the unstoppable momentum of the Chinese media industrial complex 18. Bricks, mortar and media: understanding the media industries through their buildings 19. Authorship and agency in the media industries PART III Transformations: digitalization and industry change 20. The online television industry: fragmentation, consolidation, and power 21. Children and the media industries: an overlooked but very special "television" audience 22. Game-changer or a new shape to familiar dynamics? Netflix and the American indie film sector 23. User as asset, music as liability: the moral economy of the "value gap" in a platform musical economy 24. The digital news industry: the intertwining digital commodities of audiences and news 25. The dynamics of the book publishing industry 26. Social media industries and the rise of the platform 27. When East Asian media industries are faced with digitalization: transformation and survival strategies PART IV Intersections: transnational exchanges and industry traversings 28. Creating that "local connect": the dubbing of Hollywood into Hindi 29. The Hollywood-Chinawood relationship: continuities and changes 30. TV formats: transnationalizing television production and distribution 31. From idents to influencers: the promotional screen industries 32. Branded entertainment: a critical review 33. Gatekeepers of culture in the music video supply chain 34. The immersive cinema experience economy: the UK film industry's third sector 35. Transmediality as an industrial form 36. Sports rights: global content, national markets, and regulatory issues PART V Practices: doing media industries research and pedagogy 37. Writing film industry history 38. Writing the airwaves: recent trends in histories of US broadcasting 39. Policy studies and the case for plurality 40. Media economics and management as optimization research: toward a shared methodology 41. Backstage observations: studying media producers 42. Breaking into Hollywood: strategies for interviewing media producers 43. Harnessing the life history method to study the media industries 44. Interfacing with industry 45. Media industries and audiences: an analytic dialogue 46. Ethics in media industries research 47. Appreciating the costs and benefits of media market research in the digital era 48. Numbers and qualitative media industries research 49. Teaching media industries through experiential learning: pathways to engagement and understanding
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