The hotel as setting in early twentieth-century German and Austrian literature : checking in to tell a story
Author(s)
Bibliographic Information
The hotel as setting in early twentieth-century German and Austrian literature : checking in to tell a story
(Studies in German literature, linguistics, and culture / edited by James Hardin)
Camden House, 2006
- : [hardcover]
- Other Title
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The hotel as setting in early 20th-century German and Austrian literature : checking in to tell a story
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"Transferred to digital printing 2013"--T.p. verso
Includes bibliographical references (p. [203]-214) and index
Description and Table of Contents
Description
The employment of the hotel as a setting for literary works of the period and the cultural reasons behind it.
As the bourgeois concept of "home" became problematic after important changes in German-speaking society during the 19th century, many fiction writers chose the literary setting of the hotel to explore the status of the individualand the notions of public and private. As social microcosms, hotels are fitting experimental settings for literary inquiries into the tension between the individual's quest for a place in the world and the technocratic rationalism of modern life. The book has two parts, the first establishing the cultural and theoretical context and the second providing analyses of literary works set in hotels. A brief history of commercial hospitality and a chapter establishing the theoretical framework of the hotel as a paradigmatic, ambivalent, semi-public, and stage-like modern space lead to readings of texts by Schnitzler, Zweig, Werfel, Kafka, Thomas Mann, Joseph Roth, and Vicki Baum.
Bettina Matthias is Associate Professor of German at Middlebury College.
Table of Contents
Introduction
The History of European Commercial Hospitality
The Hotel and Hotel Culture in Modernism--Some Critical Thoughts
Players and Places: Stock Elements of Hotel Culture and Fiction
Women in Hotels
Men in Hotels
Menschen im Hotel
Epilogue
Bibliography
Index
by "Nielsen BookData"