A history of Chinese theatre in the 20th century
著者
書誌事項
A history of Chinese theatre in the 20th century
(China perspectives series)
Routledge, 2021
- 3 : hbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"This book is published with financial support from the Chinese Fund for the Humanities and Social Sciences"--T.p. verso
Includes index
内容説明・目次
内容説明
The twentieth century was a dynamic period for the theatrical arts in China. Booming urban theatres, the interaction between commercial practice and theatre, dramas staged during the War of Resistance against Japan and a healthy dialogue between Western and Eastern theatres all contributed to the momentousness of this period. The four volumes of A History of Chinese Theatre in the 20th Century display the developmental trajectories of Chinese theatre over those hundred years.
This volume examines national policies developed for the culture industry and practice of Chinese theatre from 1949 to the period of "the Great Leap Forward". The author highlights the tension between the new nation's principle of "letting one hundred flowers bloom" and the theatrical industry as a tool for ideological propaganda. He argues that the transition from war-time conditions to the new social structure of peace time was far from thorough and stable.
Scholars and students in the history of the arts, especially the history of Chinese theatre, will find this book to be an essential guide.
目次
Part I "Letting One Hundred Flowers Blossom" and "Getting Rid of the Stale and Bringing Forth the Fresh"---Policies for Chinese Theatre in the New Era. 1. Liberation and "Theatrical Reform". 2. Rectification of Deviation and "May 5th Instruction". 3. National Joint Performance and Review of Spoken Drama. 4. Removing the Restrictive Rules Detrimental to Theatrical Development. A Brief Summary of Part I. Part II Eulogizing "the Great Leap Forward Movement" and Recalling Revolutionary History. 5. "The Great Leap Forward Movement". 6. Upholds of Three Theatrical Categories (New Historical Drama, Adapted Traditional Drama and Modern Drama). 7. A Review of The Theatrical Development from 1949 to 1962. A Brief Summary of Part II.
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