Jazz styles
著者
書誌事項
Jazz styles
(Pearson new international edition)(Pearson custom library)(Always learning)
Pearson Education, c2014
11th ed., Pearson new international ed
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
America's most popular introduction to jazz-now with MyMusicLab For undergraduate courses in Jazz History, Jazz Survey, Evolution of Jazz, Introduction to Jazz, and Jazz Appreciation. America's most widely used introduction to jazz text captures the minds of students by teaching the history of the styles and how to actively listen to jazz. While its chronological format serves as a great resource for beginners, Jazz Styles is applicable to more advanced students because of its in-depth analysis of musical elements and its technical appendices that discuss music theory concepts. This new edition incorporates a rich array of online features--including a full interactive eText, streaming audio, and historic performance video-through MyMusicLab. MyMusicLab was developed to help engage students in course material and assess their understanding of the material. With powerful online learning tools integrated into the book, the online and textbook experience is more seamless than ever before. MyMusicLab provides wonderful interactive resources that the instructor can bring directly into the classroom.
Teaching and Learning Experience Personalize Learning- The new MyMusicLab delivers proven results in helping students succeed, provides engaging experiences that personalize learning, and comes from a trusted partner with educational expertise and a deep commitment to helping students and instructors achieve their goals. Improve Active Listening- Jazz Styles is celebrated for its detailed listening guides that take students through the key elements in each performance. Through MyMusicLab, these guides are now integrated with streaming audio for a truly integrated listening experience. Engage Students- In the text, an engaging design, historic photographs, and active listening activities engage students in learning, while streaming audio, historic performances by jazz legends, and a full interactive eText in MyMusicLab engage them online. Support Instructors- Supported by the best instructor resources on the market, including a full Instructor's Manual, Testbank, MyMusicLab, ClassPrep for digital images.
目次
- 1. Table of Contents 2. CD Listing 1. Table of Contents CONTENTS Preface Acknowledgements 1. INTRODUCTION PART I BASICS OF JAZZ 2. WHAT IS JAZZ? 3. APPRECIATING JAZZ IMRPOVISATION PART II PREMODERN JAZZ 4. ORIGINS OF JAZZ 5. EARLY JAZZ: COMBO JAZZ PRIOR TO THE MIDDLE 1930s 6. SWING: THE EARLY 1930s TO THE LATE 1940s 7. DUKE ELLINGTON 8 THE COUNT BASIE BANDS PART III MODERN JAZZ: THE EARLY 1940s TO THE EARLY 1950s 9. BOP: THE EARLY 1940s TO THE EARLY 1950s 10. COOL JAZZ 11. HARD BOP 12. MILES DAVIS, HIS GROUPS & SIDEMEN 13. JOHN COLTRANE PART IV MODERN JAZZ: THE EARLY 1960s TO THE PRESENT 14. 1960s AND 1970s AVANTE-GARDE AND "FREE" JAZZ 15. BILL EVANS, HERBIE HANCOCK, CHICK COREA, AND KEITH JARRETT 16. JAZZ-ROCK FUSION 17. 1980 TO THE PRESENT 18. OTHER VOICES APPENDICES APPENDIX A: BREIF OUTLINE OF JAZZ STYLES APPENDIX B: ELEMENTS OF MUSIC APPENDIX C: STRATEGIES FOR BUYING RECORDED MUSIC APPENDIX D: A SMALL BASIC COLLECTION OF JAZZ VIDEOS APPENDIX E: GLOSSARY APPENDIX F: SUPPLEMENTARY READING APPENDIX G: SOURCES FOR SOLO TRANSSCRIPTIONS APPENDIX H: FOR MUSICIANS INDEX 2. CD Listing Track Listing Please refer to the text page number, shown in bold, to view the Listening Guide for each selection. CD 1 African Retentions Sequence 1. Street Cries of Charleston (Trad.) [0:30]. African American male street vendor
- p. 51. Courtesy of The Concord Music Group 2. Porgy and Bess: Fisherman, Strawberry, Devil Crab (Gershwin) [0:49]. Miles Davis instrumentally imitating the cry of an African American male street vendor, accompanied by the Gil Evans Orchestra
- p. 51. Originally released 1959. All rights reserved by Sony Music Entertainment 3. Hunter's Dance excerpt (Trad.) [0:36]. West African field recording
- p. 52. Courtesy of Essential Media Group 4. One Day excerpt (Trad.) [0:30]. The Angelic Gospel Singers and The Dixie Hummingbirds
- p. 53. Originally released 1952. All rights reserved by Sony Music Entertainment 5. One O'Clock Jump excerpt (Basie) [0:33]. Count Basie
- p. 53. Originally released 1942. All rights reserved by Sony Music Entertainment 6. Birdland excerpt (J. Zawinul) [0:25]. Weather Report with Joseph Zawinul, Wayne Shorter, and Jaco Pastorius
- p. 53. (P) 1977 Sony Music Entertainment Historic Recordings 7. Dixie Jazz Band One-Step (D. LaRocca-Joe Jordan) [2:35]. The Original Dixieland Jazz Band
- p. 62. Originally released 1917. All rights reserved by Sony Music Entertainment 8. Wolverine Blues (Morton) [3:19]. Jelly Roll Morton, Johnny Dodds, and Baby Dodds
- p. 66. Originally released 1927. All rights reserved by Sony Music Entertainment 9. Singing the Blues (J.R. Robinson-C. Conrad-S. Lewis-J. Young) [2:58]. Frankie Trumbauer and his Orchestra featuring Bix Beiderbecke
- p. 84. Originally released 1927. All rights reserved by Sony Music Entertainment 10. West End Blues (J. Oliver-C. Williams) [3:14]. Louis Armstrong and his Hot Five featuring Earl Hines
- p. 76. Originally released 1928. All rights reserved by Sony Music Entertainment 11. Hotter Than That (L. Armstrong) [2:58]. Louis Armstrong and his Hot Five
- p. 80. Originally released 1928. All rights reserved by Sony Music Entertainment 12. Handful of Keys (Fats Waller) [2:43]. Fats Waller
- p. 71. Originally released 1929. All rights reserved by Sony Music Entertainment 13. You've Got t
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