Equestrian rebels : critical perspectives on Mariano Azuela and the novel of the Mexican revolution
著者
書誌事項
Equestrian rebels : critical perspectives on Mariano Azuela and the novel of the Mexican revolution
Cambridge Scholars Pub., 2016
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
内容説明
Mariano Azuela (Mexico, 1873-1952) was a medical doctor by profession, recipient of Mexico's Premio Nacional de Literatura (1949), a distinguished member of El Colegio Nacional and, by mid-century, one of Mexico's leading novelists and literary critics. The author of novels, novellas, plays, biographies, and literary criticism, Azuela served as field doctor under Francisco Villa during the Mexican Revolution and, after Villa's military defeats in 1915, published Los de abajo (The Underdogs, 1915) while in exile in El Paso, Texas. This book of essays commemorates the first centenary of Los de abajo, and traces its impact on twentieth-century autobiographies, memoirs and, more specifically, on the Novel of the Mexican Revolution.Equestrian Rebels: Critical Perspectives on Mariano Azuela and the Novel of the Mexican Revolution includes a full-length introduction and nineteen essays by leading international scholars who study Azuela and other novelists of the Mexican Revolution - such as Martin Luis Guzman, Nellie Campobello and, among others, Jose Ruben Romero - from current, yet contrasting and innovative theoretical perspectives. Especially written for this volume, these critical essays are grouped into five sections that separately probe and analyze Azuela's realism and contemporary affinities with photography; Azuela's literary criticism; centennial studies on Los de abajo; critical approaches to other novels by Azuela; three independent analyses of Nellie Campobello's Cartucho (1931); and a concluding section on literary representations of Mexican colonialism and revolution in the narratives of Juan Rulfo (El llano en llamas), Carlos Fuentes (Gringo viejo), and David Toscana (El ultimo lector). This book will be of importance to scholars, teachers, students, and the general reader interested in topics related to the literary, cultural, and political forces and conflicts that led to the transformation of Mexico into a modern nation.
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