The whiteness of the whale : American photographs 1998-2011
著者
書誌事項
The whiteness of the whale : American photographs 1998-2011
MACK , Pier 24, c2015
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
"First edition published by MACK and Pier 24 Photography to coincide with the exhibition The Whiteness of the Whale, organised by Pier 24 Photography, San Francisco, August 2015 - February 2016."--Colophon
内容説明・目次
内容説明
The Whiteness of the Whale brings together Paul Graham's three bodies of American photographs: American Night, a shimmer of possibility and The Present, made from 1998 to 2011. These 3 remarkable photographic series reflect upon the social fabric of contemporary America, whilst trying to find something closer to the experience of being and seeing in the world today.
American Night (2003) examines the social fracture of America - the great divide between have and have-not rendered through the dichotomy of light and darkness, presence and absence. The images oscillate between high-key near invisible photographs in bright light, and the antithesis - deeply saturated colour images of freshly minted homes glowing under California's blue skies.
a shimmer of possibility (2007), is an American epic of the small and incidental. Originally published as twelve photographic visions of everyday life, the stuttering sequences form a kind of 'filmic haiku', revealing the flow of life found in quotidian America, where we share moments with people waiting for a bus, cutting the grass, or smoking a cigarette. a shimmer of possibility was winner of the 2011 Paris Photo Book Prize for the most significant Photobook of the past 15 years.
The Present (2011) taken in the streets of New York, and unfolds two images of the same scene separated only by the briefest fraction of time. Here the present is revealed to be a fleeting and provisional alignment, glimpsed as part of an ever flowing continuum of life: before/after, coming/going, either/or.
The luxurious catalogue is printed in wide gamut inks on natural white paper, and coincides with the first solo exhibition at Pier 24, San Francisco. It includes newly commissioned texts by David Chandler and Stanley Wolukau-Wanambwa.
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