Japan and the culture of the four seasons : nature, literature, and the arts
著者
書誌事項
Japan and the culture of the four seasons : nature, literature, and the arts
Columbia University Press, 2013, c2012
- : pbk
並立書誌 全1件
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Differs from <BB17118265> in physical description
Includes bibliographical references (p. [249]-270) and indexes
内容説明・目次
内容説明
Elegant representations of nature and the four seasons populate a wide range of Japanese genres and media-from poetry and screen painting to tea ceremonies, flower arrangements, and annual observances. In Japan and the Culture of the Four Seasons, Haruo Shirane shows how, when, and why this practice developed and explicates the richly encoded social, religious, and political meanings of this imagery. Refuting the belief that this tradition reflects Japan's agrarian origins and supposedly mild climate, Shirane traces the establishment of seasonal topics to the poetry composed by the urban nobility in the eighth century. After becoming highly codified and influencing visual arts in the tenth and eleventh centuries, the seasonal topics and their cultural associations evolved and spread to other genres, eventually settling in the popular culture of the early modern period. Contrasted with the elegant images of nature derived from court poetry was the agrarian view of nature based on rural life. The two landscapes began to intersect in the medieval period, creating a complex, layered web of competing associations.
Shirane discusses a wide array of representations of nature and the four seasons in many genres, originating in both the urban and rural perspective: textual (poetry, chronicles, tales), cultivated (gardens, flower arrangement), material (kimonos, screens), performative (noh, festivals), and gastronomic (tea ceremony, food rituals). He reveals how this kind of "secondary nature," which flourished in Japan's urban architecture and gardens, fostered and idealized a sense of harmony with the natural world just at the moment it was disappearing. Illuminating the deeper meaning behind Japanese aesthetics and artifacts, Shirane clarifies the use of natural images and seasonal topics and the changes in their cultural associations and function across history, genre, and community over more than a millennium. In this fascinating book, the four seasons are revealed to be as much a cultural construction as a reflection of the physical world.
目次
List of Illustrations Preface Acknowledgments Historical Periods, Romanization, Names, Titles, and Illustrations Introduction: Secondary Nature, Climate, and Landscape 1. Poetic Topics and the Making of the Four Seasons 2. Visual Culture, Classical Poetry, and Linked Verse 3. Interiorization, Flowers, and Social Ritual 4. Rural Landscape, Social Difference, and Conflict 5. Trans-Seasonality, Talismans, and Landscape 6. Annual Observances, Famous Places, and Entertainment 7. Seasonal Pyramid, Parody, and Botany Conclusion: History, Genre, and Social Community Appendix: Seasonal Topics in Key Texts Notes Bibliography of Recommended Readings in English Selected Bibliography of Secondary and Primary Sources in Japanese Index of Seasonal and Trans-Seasonal Words and Topics Index of Authors, Titles, and Key Terms
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