Transcultural experiments : Russian and American models of creative communication
著者
書誌事項
Transcultural experiments : Russian and American models of creative communication
Palgrave Macmillan, 1999
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
内容説明・目次
内容説明
Contemporary processes of globalization have had a profound impact on cultural production and dissemination both intra- and cross-culturally. The dissemination of cultures on a global scale has led to multiple and complex effects, among them the formation of radical new modes of cultural interaction, transcultural flows, and hybridized knowledges, forms not easily understandable in terms of traditional models of discrete national or ethnic cultures/subcultures. Transcultural Experiments develops new scholarly and creative strategies out of this intersection of cultural traditions, specifically in Russia and the United States. Ellen E. Berry and Mikhail N. Epstein define and enact a transcultural method as an alternative to the legacies of cultural divisions and hegemony that have dominated both Western and Second Worlds. The book introduces a system of original concepts and genres of writing that will help in mapping twenty-first century global culture: 'transculture' (vs. multiculturalism), 'interference' (vs. difference), 'potentiation' (vs. deconstruction), ethics of imagination, and collective improvisation. The authors make a revolutionary argument in cultural studies that will be of profound interest to anyone concerned with finding new modes of intercultural communication between the former First and Second Worlds.
目次
Introduction PART I: HISTORY Introducing Culturology Major Ideas and Thinkers The Laboratory of Contemporary Culture: Improvisational Practice and Transcultural Consciousness Postmodern Avant Gardes and Cultural Re-Invention PART II: THEORY Definitions Transculture in the Context of Contemporary Critical Theories Difference and Interference Transculture and Society Nomadic Desires and Transcultural Becomings Infinitions How does Newness Enter the Postmodern World? The Permanence of Newness and Spaces for Difference From History to Geography Potentiation and Virtuality Ethics and Imagination The Transcultural Imaginary PART III: ON PRACTICE On Genres Essay Catalogue Collective Improvisations Sample Improvisations Nomads at Home: Improvisation in the Academy InteLnet. Web Projects and Journals in the Humanities Hyperauthorship Poetry as a State-of Being Interactive Book of Books The Lawlessness of Genres Conclusion: Inconclusive Dialogue
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