John Adams's Nixon in China : musical analysis, historical and political perspectives
Author(s)
Bibliographic Information
John Adams's Nixon in China : musical analysis, historical and political perspectives
(An Ashgate book)
Routledge, 2016
- : pbk
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"First published 2011 by Ashgate Publishing"--T.p. verso
"First issued in paperback 2016"--T.p. verso
Includes bibliographical references (p. [265]-274) and index
Description and Table of Contents
Description
John Adams's opera, Nixon in China, is one of the most frequently performed operas in the contemporary literature. Timothy A. Johnson illuminates the opera and enhances listeners' and scholars' appreciation for this landmark work. This music-analytical guide presents a detailed, in-depth analysis of the music tied to historical and political contexts. The opera captures an important moment in history and in international relations, and a close study of it from an interdisciplinary perspective provides fresh, compelling insights about the opera. The music analysis takes a neo-Riemannian approach to harmony and to large-scale harmonic connections. Musical metaphors drawn between harmonies and their dramatic contexts enrich this approach. Motivic analysis reveals interweaving associations between the characters, based on melodic content. Analysis of rhythm and meter focuses on Adams's frequent use of grouping and displacement dissonances to propel the music forward or to illustrate the libretto. The book shows how the historical depiction in the opera is accurate, yet enriched by this operatic adaptation. The language of the opera is true to its source, but more evocative than the words spoken in 1972-due to Alice Goodman's marvelous, poetic libretto. And the music transcends its repetitive shell to become a hierarchically-rich and musically-compelling achievement.
Table of Contents
- Introduction
- I: Setting the Scenes
- 1: Portraits of the Chinese Landscape
- 2: State Ceremonial Functions
- 3: Chairman Mao's Study
- 4: Grand Tour of China
- II: Characters and Musical Characterization
- 5: Richard Nixon
- 6: Pat Nixon
- 7: Henry Kissinger
- 8: Mao Tse-tung
- 9: Chiang Ch'ing
- 10: Chou En-lai
- III: Nationalism and Cultural Distinction
- 11: American Idealism and Chinese Isolationism
- 12: Democracy and Dynasty
- 13: Wall Street and the Great Wall
- 14: Human Rights
- 15: Detente
by "Nielsen BookData"