Federico Barocci : inspiration and innovation in early modern Italy
著者
書誌事項
Federico Barocci : inspiration and innovation in early modern Italy
[Produced by Amazon], 2019
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Reprint. Originally published: London : Routledge, 2019
Originally issued in series: Visual culture in early modernity
Printed in Japan
内容説明・目次
内容説明
Reviewers of a recent exhibition termed Federico Barocci (ca. 1533-1612), 'the greatest artist you've never heard of'. One of the first original iconographers of the Counter Reformation, Barocci was a remarkably inventive religious painter and draftsman, and the first Italian artist to incorporate extensive color into his drawings. The purpose of this volume is to offer new insights into Barocci's work and to accord this artist, the dates of whose career fall between the traditional Renaissance and Baroque periods, the critical attention he deserves. Employing a range of methodologies, the essays include new ideas on Barocci's masterpiece, the Entombment of Christ; fresh thinking about his use of color in his drawings and innovative design methods; insights into his approach to the nude; revelations on a key early patron; a consideration of the reasons behind some of his most original iconography; an analysis of his unusual approach to the marketing of his pictures; an exploration of some little-known aspects of his early production, such as his reliance on Italian majolica and contemporary sculpture in developing his compositions; and an examination of a key Barocci document, the post mortem inventory of his studio. A translated transcription of the inventory is included as an appendix.
目次
Table of contents:
Introduction: New Insights into Barocci's Senigallia Entombment and Suggestions on his Late Workshop Practice
Babette Bohn and Judith Mann
From Altar to Hearth: Barocci and the Brancaleoni of Piobbico
Carol Plazzotta
Just what is it that makes Barocci's painting so different, so appealing?
Claudio Pizzorusso
Federico Barocci and the Artistic Legacy of his Homeland
Alessandra Giannotti
Federico Barocci and the Corpus of High Renaissance Art
Stuart Lingo
"Though this be madness, yet there is method in it:" Barocci's Design Process
Babette Bohn
Drawing the Virgin: Federico Barocci's Doctrine of the Virgin Mary
Judith W. Mann
"God Knows When He'll Finish": Barocci and the Art Market
Richard E. Spear
The Tip of the Iceberg: Barocci's Post Mortem Inventory and the Survival of Renaissance Drawings
David Eckserdjian
「Nielsen BookData」 より