The Bloomsbury handbook of popular music policy

著者

    • Homan, Shane

書誌事項

The Bloomsbury handbook of popular music policy

edited by Shane Homan

Bloomsbury Academic, 2022

  • : HB

タイトル別名

Handbook of popular music policy

Popular music policy

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注記

Includes bibliographical references (p. [333]-402) and index

内容説明・目次

内容説明

The Bloomsbury Handbook of Popular Music Policy is the first thorough analysis of how policy frames the behavior of audiences, industries, and governments in the production and consumption of popular music. Covering a range of industrial and national contexts, this collection assesses how music policy has become an important arm of government, and a contentious arena of global debate across areas of cultural trade, intellectual property, and mediacultural content. It brings together a diverse range of researchers to reveal how histories of music policy development continue to inform contemporary policy and industry practice. The Handbook maps individual nation case studies with detailed assessment of music industry sectors. Drawing on international experts, the volume offers insight into global debates about popular music within broader social, economic, and geopolitical contexts.

目次

  • List of Figures Notes on Contributors Acknowledgements 1. Introduction: Situating Popular Music Policy Shane Homan, Monash University, Australia Part I: Policy Contexts 2. Distributing Rights and Resources: The Cultural Politics of Popular Music Policy John Street, University of East Anglia, UK 3. The presence and Absence of Policy in the Digital Music Industries Daniel Nordgard, University of Agder, Norway 4. Property or Status? Music and Musicians Under Copyright Thomas Dillon, Barrister, UK Part II: Policy Sectors 5. Conceptualising Popular Music's Heritage as an Object of Policy: Preservation, Performance and Promotion Paul Long, Monash University, Australia, Zelmarie Cantillon, Western Sydney University, Australia, and Sarah Baker, Griffith University, Australia 6. Popular Music, Policy and Education Gareth Dylan Smith, Boston University, USA, and Zack Moir, Edinburgh Napier University, UK 7. Music Exports Shane Homan, Monash University, Australia 8. Broadcasting and Popular Music Policy Mark Percival, Queen Margaret University, UK 9. Live Music Infrastructure Adam Behr, Newcastle University, UK Part III: National Policy 10. Audible, Visible and Experiential: Reflections on South Korean Popular Music Policy Soojin Kim, Korea National University of Arts, South Korea 11. The Canadian Conundrum: Robust Policies Catching Up with the Times Richard Sutherland, Mount Royal University, Canada 12. The New Great Leap Forward of China: National and Local Music Policy in Chengdu Qian Wang, Yibin University, China 13. Australian Popular Music Policy Sarah Taylor, RMIT University, Australia, and Shane Homan, Monash University, Australia 14. More Than Dots on Maps: Locating Live Venues in the German Music Policy Framework Niklas Bloemeke, Paderborn University, Germany
  • Jan UEblacker, EBZ Business School, University of Applied Science, Bochum, Germany' Johannes Krause, Heinrich-Heine-University, Dusseldorf, Germany
  • Heiko Ruhl, Independent Scholar, Germany
  • and Katharina Huseljic, Independent Scholar, Germany 15. From National Identity to the Well-Being of Future Generations: Popular Music Within Devolved Welsh Policy-Making Between 1999-2020 Luke Thomas, Independent Scholar, UK, and Paul Carr, University of South Wales, UK Part IV: Contemporary Debates 16. Ticketing: Why Is It a Problem? Mike Waterson, University of Warwick, UK 17. Gender and Popular Music Policy Sam de Boise, OErebro University, Sweden, Maura Edmond, Monash University, Australia, and Catherine Strong, RMIT University, Australia 18. When Music Becomes Datafied: Streaming Services and the Case of Spotify Jonas Anderson Schwarz, Soedertoern University, Sweden, and Sofia Johanssson, Sodertorn University, Sweden 19. Music Cities Sarah Taylor, RMIT University, Australia 20. Brexit and the UK Live Music Industry Patrycja Rozbicka, Aston University, Birmingham, UK, Adam Behr, Newcastle University, UK, and Craig Hamilton, Birmingham City University, UK Bibliography Index

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