The pictorial art of El Greco : transmaterialities, temporalities, and media
Author(s)
Bibliographic Information
The pictorial art of El Greco : transmaterialities, temporalities, and media
（Visual and material culture, 1300-1700 / series editor, Allison Levy, 6）
Amsterdam University Press, c2019
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Note
Includes bibliographical references (p. [295]-310) and index
Description and Table of Contents
Description
The Pictorial Art of El Greco: Transmaterialities, Temporalities, and Media investigates El Greco's pictorial art as foundational to the globalising trends manifested in the visual culture of early modernity. It also exposes the figurative, semantic, and allegorical senses that El Greco created to challenge an Italian Renaissance-centered discourse. Even though he was guided by the unprecedented burgeoning of devotional art in the post-Tridentine decades and by the expressive possibilities of earlier religious artifacts, especially those inherited from the apostolic past, the author demonstrates that El Greco forged his own independent trajectory. While his paintings have been studied in relation to the Italian and Spanish school traditions, his pictorial art in a global Mediterranean context continues to receive scant attention. Taking a global perspective as its focus, the book sheds new light on El Greco's highly original contribution to early Mediterranean and multi-institutional configurations of the Christian faith in Byzantium, Venice, Rome, Toledo, and Madrid.
Table of Contents
Contents Acknowledgments Introduction List of Illustrations Chapter 1: Prototypal Images Reaffirmed in Early Modern Painting Chapter 2: Spanish Miraculous Images, Sacred Narratives, and Aesthetic Goals Chapter 3: El Greco's The Purification of the Temple Chapter 4: Reinventing the Nude in an Age of Censorship Chapter 5: The Dialogue of Classical and Devotional Cultures in El Greco's Laocooen of Toledo Notes Bibliography Index
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