Performing civility : international competitions in classical music
著者
書誌事項
Performing civility : international competitions in classical music
(Cambridge cultural social studies)
Cambridge University Press, 2017
- : pbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
First published 2015
内容説明・目次
内容説明
Although competitions in classical music have a long history, the number of contests has risen dramatically since the Second World War, all of them aiming to launch young artists' careers. This is not the symptom of marketization that it might appear to be. Despite the establishment of an international governing body, competitions are plagued by rumors of corruption, and even the most mathematically sophisticated voting system cannot quell accusations that the best talent is overlooked. Why do musicians take part? Why do audiences care so much about who wins? Performing Civility is the first book to address these questions. In this groundbreaking study, Lisa McCormick draws from firsthand observations of contests in Europe and the US, and in-depth interviews with competitors, jurors and directors, as well as blog data from competition observers to argue that competitions have endured because they are not only about music, they are also about civility.
目次
- Introduction
- 1. The rise and near demise of the international music competition
- 2. Competitions enter the civil sphere
- 3. Narrating the competition
- 4. The presentation of musical self
- 5. Producing sound judgments
- 6. Voicing opinions
- Conclusion: what is the future of music competitions?
- Appendix A. Selected competitions: facts and figures
- Appendix B. Membership of the World Federation of International Music Competitions (WFIMC), 1957-2012
- Appendix C. Putting the 'performance perspective' in perspective.
「Nielsen BookData」 より