The four fundamental concepts of psycho-analysis
Author(s)
Bibliographic Information
The four fundamental concepts of psycho-analysis
Routledge, 2018
- : pbk
- Other Title
-
Les Quatre concepts fondamentaux de la psychanalyse
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes index
Description and Table of Contents
Description
The author's writings, and especially the seminars for which he has become famous, have provoked intense controversies in French analytic circles, requiring as they do a radical reappraisal of the legacy bequeathed by Freud. This volume is based on a year's seminar, which is of particular importance because he was addressing a larger, less specialist audience than ever before, amongst whom he could not assume familiarity with his work. For his listeners then, and for his readers now, he wanted "to introduce a certain coherence into the major concepts on which psycho-analysis is based", namely the unconscious, repetition, the transference and the drive. In re-defining these four concepts he explores the question that, as he puts it, moves from "Is psycho-analysis a science?" to "What is a science that includes psycho-analysis?"
Table of Contents
Preface to the English-Language Edition -- Editor's Note -- Excommunication -- The Unconscious and Repetition -- The Freudian Unconscious and Ours -- Of the Subject of Certainty -- Of the Network of Signifiers -- Tuche and Automaton -- Of The Gaze as Objet Petit a -- The Split between the Eye and the Gaze -- Anamorphosis -- The Line and Light -- What is a Picture? -- The Transference and the Drive -- Presence of the Analyst -- Analysis and Truth or the Closure of the Unconscious -- Sexuality in the Defiles of the Signifier -- The Deconstruction of the Drive -- The Partial Drive and its Circuit -- From Love to the Libido -- The Field of the Other and back to the Transference -- The Subject and the Other: Alienation -- The Subject and the Other: Aphanisis -- Of the Subject Who is Supposed to Know, of the First Dyad, and of the Good -- From Interpretation to the Transference -- To Conclude -- In You More than You -- Translator's Note
by "Nielsen BookData"