Choreutics
著者
書誌事項
Choreutics
Dance Books, 2011
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"A Dance Books publication"--Cover
Includes index
内容説明・目次
内容説明
When towards the end of the last century Rudolf Laban began to take an interest in all forms of dance, it was with an en-thusiastically searching mind, looking for the very roots of active living. He believed the key for the unfolding of human capacities to be embedded in the dynamic configurations of dance and that man could enhance his creative powers by becoming aware of the nature of shapes and rhythms through which living organisms express and communicate. Choreutics can be said to contain the essence of Laban's thought as well as an elaboration of the framework which he found useful for the penetration of the bewildering complexity of human movement. This he based on the unity of space and movement and he recognised a natural order in which the energy from within unfolds in space. This book gives a cogent account of the basis of Laban's Space Harmony; this may become of similar significance to the dancer, dance teacher and choreographer as Harmony of Music-with which it can be compared- is to the musician.
Of special interest in this volume is the explicit presentation of the grammatical and syntactical aspects of the language of move-ment together with consideration of its nota-tion. It is shown that this language is relevant not only to the dancer, actor and musician but also to the architect, designer and sculptor, and moreover that the aspects of Harmony stretch beyond the bounds of aesthetical use into the field of everyday living.
「Nielsen BookData」 より