Black country music : listening for revolutions
著者
書誌事項
Black country music : listening for revolutions
(American music series)
University of Texas Press, 2022
- : cloth
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
収録内容
- Introduction : where my people at?
- Uneasy listening : Tina Turner's queer frequencies
- Love you, my brother : Darius Rucker's bro-intimacy
- How to be an outlaw : Beyoncé's "Daddy lessons"
- Valerie June : ghost catcher
- Can the black banjo speak? notes on songs of our native daughters
- Thirteen ways of looking at Lil Nas X's "Old town road"
- Conclusion : black country music afrofuturisms : Mickey Guyton, Rissi Palmer, and DeLila Black
内容説明・目次
内容説明
After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work-the first book on Black country music by a Black writer-Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre.
Informed by queer theory and Black feminist scholarship, Royster's book elucidates the roots of the current moment found in records like Tina Turner's first solo album, Tina Turns the Country On! She reckons with Black "bros" Charley Pride and Darius Rucker, then chases ghosts into the future with Valerie June. Indeed, it is the imagination of Royster and her artists that make this music so exciting for a genre that has long been obsessed with the past. The futures conjured by June and others can be melancholy, and are not free of racism, but by centering Black folk Royster begins to understand what her daughter hears in the banjo music of Our Native Daughters and the trap beat of Lil Nas X's "Old Town Road." A Black person claiming country music may still feel a bit like a queer person coming out, but, collectively, Black artists and fans are changing what country music looks and sounds like-and who gets to love it.
目次
Introduction. Where My People At?
Chapter 1. Uneasy Listening: Tuning into Tina Turner's Queer Frequencies in Tina Turns the Country On! and Other Albums
Chapter 2. "Love You, My Brother": Darius Rucker's Bro-Intimacy and Acts of Sonic Freedom
Chapter 3. How to Be an Outlaw: Beyonce's Daddy's Lessons
Chapter 4. Valerie June, Ghost Catcher
Chapter 5. Can the Black Banjo Speak? Notes on Songs of Our Native Daughters
Chapter 6. Thirteen Ways of Looking at Lil Nas X's Old Town Road
Conclusion. Black Country Afrofuturisms: Mickey Guyton, Rissi Palmer, and DeLila Black
Acknowledgments
Notes
Index
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